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When I can’t stand. Up in this cage I’m not regretting. ~ "Lose You"

 

Pete Yorn

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What is this thing called the existence? Is it all the things that we perceive it to be? Or is it something else? It's a gift. One of my favorite examples is the bird in the cage. You may think that you own the bird inside the cage, but you're wrong. You only own the cage. People think that they need to have a very fancy cage, that the more incredible the cage, the more incredible the bird will look. But the cage and the bird are really two different things. When the bird is gone, all that will be left is the cage.

 

Maharaji (Prem Rawat)

 

It is important that America not just stand tall against terrorists, but America must also stand for economic opportunity and democratic freedoms. America must stand for human rights. America must stand for the rights of women. America must stand for environmental protection and energy conservation.
The Administration in which I served looked at the challenges we faced in the world and said we wished to tackle these "With others, if possible; alone, if we must." This Administration sometimes seems inclined to stand that on its head, so that the message is: "With others, if we must; by ourselves, if possible."

 

Al Gore

 

John Cage, composer, painter, and all-round thinker and cultural catalyst, said that if you introduce twenty percent of novelty into any artwork, watch out -- you are going to lose eighty percent of your audience at once. He said you would lose them for fifteen years. Cage was interested in fifteen-year cycles. But he was hopelessly optimistic. The general appreciation, for example, of Western painting has got stuck around Impressionism, and that was 130 years ago, not fifteen years ago.

 

Peter Greenaway

 

[Regarding indeterminacy]"...I think this interest had to do with his interest in painting. He used to put sheets of graph paper on the wall, and work on them like paintings. Slowly his notation would accumulate, and from time to time he'd stand back to look at the overall design. For him it had less to do with belief in chance: it was more function than anything else. He would talk about different weights of sound - and that was simply the easiest way to express them. Pitches didn't really matter, as there were so many other controls, and he used chance without its interfering with expression. What Cage admired in him and what they had most in common was heroism - trusting in performers, despite the risk that they might destroy the thing completely. Unless the performer committed himself to the pieces, they could be horrible, and it was their very dangerousness which made them so beautiful. Cage's were beautiful in the same way, just because you never knew what would come next." - Christian Wolff, Composer and Pianist

 

Morton Feldman

 

"Cage's Music of Changes was a further indication that the arts in general were beginning to consciously deal with the "given" material and, to varying degrees, liberating them from the inherited, functional concepts of control."

 

Earle Brown