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So I’m well aware that there are certain people frustrated with the endings of my books. I can remember at the time I was writing it, I told a friend of mine that the climax of Snow Crash was now longer than Moby Dick: There’s a helicopter that gets brought down; there’s a private jet that blows up; some people die; there’s confrontation and a girl goes home with her mom — so it seems like a good ending to me. [audience laughter]
Once you write a book or two with controversial endings — and that meme gets going, of “Stephenson can’t write endings” — then that gets slapped on everything that you do no matter how elaborate the ending is. I think Anathem does OK on that score. I’m sure that I’ll be hearing from some of the “Stephenson can’t write endings” people, but I think that it has a decent enough ending.
--
Response to audience question at a Authors@google appearance, Google headquarters, Mountain View, CA., September 12, 2008

 

Neal Stephenson

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Hello everyone!
I suppose that you think that nothing much is happening at the moment. Ah ah ah! Well, that's what I want to talk to you all about: endings. Now, endings normally happen at the end. But, as we all know, endings are just beginnings. You know, once these things really get started, it's jolly hard to stop them again.
However, as we have all come this far, I think, under the circumstances, the best solution is that we all just keep going. Let's keep going inside, never an ending. Let's remember that this world wants fresh beginnings. I feel here, in this Country, and throughout the world, we are crying out for beginnings, beginnings!
We never want to hear this word "endings". I know you don't want to sit down. Of course, you're looking for the good start. Of course you're looking for a fresh start.
Isn't that charming? Do you know, I really feel I could dance...

 

Mike Oldfield

 

[On test audiences and alternate endings on DVDs] Seeing these two endings, knowing that the studio most likely chose the one that would close the film after polling test audiences, makes me a little ill. What if I did that with my novels? What would you think of me, if I were to so subvert the act of storytelling and mythmaking in an effort to make more money (by, I might add, perverting democracy)? Okay, at the end of Low Red Moon, I can kill Chance, or I can let her live. Which ending do you prefer? Check the box, and let us know. Should Orpheus make it back to the surface without looking to see if Eurydice is truly following him, or should he look? Should the mouse pull the thorn from the lion's paw, or should he mind his own damned business? I can only hope that it is self-evident that this process is as alien and destructive to art as anything ever could be. Yes, I'm sure it makes people more money, and money is nice, but it has very little to do with telling good and true and useful stories.

 

Caitlin R. Kiernan

 

This is a story about a man named Eddie and it begins at the end, with Eddie dying in the sun. It might seem strange to start a story with an ending. But all endings are also beginnings. We just don't know it at the time.

 

Mitch Albom

 

The question we writers are asked most often, the favorite question, is: Why do you write? I write because I have an innate need to write. I write because I can’t do normal work as other people do. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it. I write because I want others, the whole world, to know what sort of life we lived, and continue to live, in Istanbul, in Turkey. I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all life’s beauties and riches into words. I write not to tell a story but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but—as in a dream—can’t quite get to. I write because I have never managed to be happy. I write to be happy.

 

Orhan Pamuk

 

It's one and the same, one and the same
What's the use between death and glory?
Hard to choose between death and glory
Happy endings they never bored me
Happy endings, they still don't bore me
They have a way, a way to make you pay
And to make you toe the line
Now I'm severing the ties because
I'm so clever but clever ain't wise

 

Peter Doherty