A wasp in a wig is altogether beyond the appliances of art.
--
Refusing to illustrate a proposed chapter in Through the Looking-Glass, as quoted in The Life and Letters of Lewis Carroll (1898), p. 146John Tenniel
Every one of these hundreds of millions of human beings is in some form seeking happiness...Not one is altogether noble nor altogether trustworthy nor altogether consistent; and not one is altogether vile...Not a single one but has at some time wept.
H. G. (Herbert George) Wells
Michelle Pfeiffer has the pivotal role of the movie and perhaps of her career as Angela de Marco, the unhappy missus of Frankie (The Cucumber). Shedding her WASP identity completely, Pfeiffer becomes the Italian princess, right down to the Long Island accent. Angela is an updated suburban moll, a gum-popper with press-on nails and lots of sweaters applique'd with feathers. She looks like a caricature, but there's anguish under all that mascara... This is her second movie marriage to the mob. As the wife in Scarface, she was the Latino mobster's WASP ornament, cold, trapped and tragic. As the Cucumber's widow, she's a deft comedian instead. It's her movie, and she graces it.
Michelle Pfeiffer
Civilization without its appliances is weaker than barbarism.
Theodore Winthrop
Among the appliances to transform the people, sound and appearances are but trivial influences.
Confucius
Tenniel, John
Tennyson, Alfred (Lord)
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