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I never set fire to a piano. I'd like to have got away with it, though. I pushed a couple of them in the river. They wasn't any good.
--
Esquire January 2010, p. 89

 

Jerry Lee Lewis

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I don't think too much about the electronic thing, except that it's kind of fun to have it as an alternate voice. Like, I've used the Fender- Rhodes piano on a couple of records. I don't really look on it as a piano— merely an alternate keyboard instrument, that offers a certain kind of sound that’s appropriate sometimes. I find that it’s kind of a refreshing auxiliary to the piano— but I don't need it, you know. I guess it’s for other people to judge how effective it’s been on my records; I enjoyed it, anyway. I don't enjoy spending a lot of time with the electric piano. I mean, if I play it for a period of time, then I quickly tire of it, and I want to get back to the acoustic piano.

 

Bill Evans

 

I think my problem is that I do have the fire in my belly. I am so adamantly supportive of the good traditional things about America and our free enterprise system, and I want to make sure that America is put back on the right track, and we only do that by defeating Obama in 2012. I have that fire in my belly. It’s a matter for me a couple of practical, pragmatic decisions that have to be made. One is, with a large family, understanding the huge amount of scrutiny and the sacrifices that have to be made on my children's part, in order to see their mama run for president! But yeah, the fire in the belly, it's there! That's kind of my problem! It's such a roaring fire in my belly to preserve and restore all that’s good about America, that I struggle with that every single day.

 

Sarah Palin

 

21 piano sonatas, 27 piano concertos, 41 symphonies, 18 masses, 13 operas, 9 oratorios and cantata, 2 ballets, 40 plus concertos for various instruments, string quartets, trios and quintets, violin and piano duets piano quartets, and the songs. This astounding output includes hardly one work less than a masterpiece.

 

Wolfgang Amadeus Mozart

 

He paints for the blind, and we are the blind, and he lets us see for sure what we saw long ago but weren't sure we saw. He paints for the dead, to remind us that — great good God, think of it — we're alive, and on our way to weather, from the sea to the hot interior, to watermelon there, a bird at night chasing a child past flowering cactus, a building on fire, barking dogs, and guitar-players not playing at eight o'clock, every picture saying, "Did you live, man? Were you alive back there for a little while? Good for you, good for you, and wasn't it hot, though? Wasn't it great when it was hot, though?"

 

William Saroyan

 

‘Oh Brancepeth,’ said the girl, her voice trembling, ‘why haven’t you any money? If only you had the merest pittance - enough for a flat in Mayfair and a little weekend place in the country somewhere and a couple of good cars and a villa in the South of France and a bit of trout fishing on some decent river, I would risk all for love.’

 

P. G. Wodehouse