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"...the movie is not a thing which is taken by the camera; the movie is the reality of the movie moving from reality to the camera."
--
from Los Angeles Free Press, March 22, 1968. Gene Youngblood

 

Jean-Luc Godard

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"How can a movie be "one of the best"? There's only one "best" movie, so saying something is "one of the best" is stupid and doesn't make sense. Technically any movie that's not the worst could be considered "one of the best." Imagine that, another empty phrase used by marketing people. I want to punch someone in the throat."

 

Maddox

 

After Ciao! Manhattan she came back to the Factory and we tried to make a movie with her, Warhol and I, but we just wiped our hands of her, there was nothing we could do with her. How many times can you tell a person to stop doing something without really getting bored with it? I'd never seen Warhol walk away from his camera in a fit of just absolute, abject disgust but during that filming, a little movie of his called Edie and Ondine he just said, "Stop, I won't film anymore." He said "this is disgusting, just absolutely disgusting." She was so full of self-pity and so humble and so everything else it was just awful, it was horrible, intolerable.

 

Edie Sedgwick

 

I think the whole thing's changing a lot. The traditions of Hollywood are grand and great and are going to survive forever, in a way. But they're not going to be the only way for much longer. The technology is such now that you don't have to have millions of dollars to make a movie. You can make one with a computer. Like the Ze Frank show. I don't know if you know who that guy is, but at ZeFrank.com, he makes a couple-minute show every day. What he does is f**king great, and he does it all by himself. I think those lines between "behind the camera" and "in front of the camera," the lines between actor, writer, director, the lines between audience and performer… all those lines are kind of dissolving. And I'm real curious where it's going to lead.

 

Joseph Gordon Levitt

 

I think the whole thing's changing a lot. The traditions of Hollywood are grand and great and are going to survive forever, in a way. But they're not going to be the only way for much longer. The technology is such now that you don't have to have millions of dollars to make a movie. You can make one with a computer. Like the Ze Frank show. I don't know if you know who that guy is, but at ZeFrank.com, he makes a couple-minute show every day. What he does is f**king great, and he does it all by himself. I think those lines between "behind the camera" and "in front of the camera," the lines between actor, writer, director, the lines between audience and performer… all those lines are kind of dissolving. And I'm real curious where it's going to lead.

 

Joseph Gordon-Levitt

 

If I was doing a movie that was really bad, I always realized that I had to play my role as good as possible when the camera was on me. The fact that the movie was total shit did not bother me. For example, let's say that there's a hand that is used to playing the violin excellently. Let's say that hand belongs to the world's greatest violinist. But, the man finds himself out of work. Someone tells him "I don't have a job for a violinist but I do have a job for someone who is willing to carry out trash." The violinist takes the job. He has to do his new job well or else he won't get paid. He won't eat. Although his hand is forced to carry garbage, that doesn't diminish the skill of the hand.

 

Klaus Kinski