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George Steiner

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To starve a child of the spell of the story, of the canter of the poem, oral or written, is a kind of living burial. It is to immure him in emptiness.
--
Ch. 4 (pp. 190-191)

 
George Steiner

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Truly fine poetry must be read aloud. A good poem does not allow itself to be read in a low voice or silently. If we can read it silently, it is not a valid poem: a poem demands pronunciation. Poetry always remembers that it was an oral art before it was a written art. It remembers that it was first song.

 
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There neither exists nor can exist any work more thoroughly dignified — more supremely noble than this very poem — this poem per se — this poem which is a poem and nothing more — this poem written solely for the poem's sake.

 
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The baptismal and burial fees (neither of which can be avoided without incurring the charge of heresy) are also a great terror to the candidates for married life. "If I marry," says the poor yeoman, "my family must go unclad to baptize my children; and if any of them should die, we must starve ourselves to pay the burial charges." The fee for baptism, it is true, is not so exorbitant, and in accordance to custom, is often paid by the padrino or sponsor; but the burial costs are almost equally extravagant with those of marriage, varying in proportion to the age and circumstances of the deceased. A faithful Mexican servant in my employ at Chihuahua, once solicited forty dollars to bury his mother. Upon my expressing some surprise at the exorbitancy of the amount, he replied —"That is what the cura demands, sir, and if I do not pay it my poor mother will remain unburied!" Thus this man was obliged to sacrifice several months' wages, to pamper the avarice of a vicious and mercenary priest. On another occasion, a poor widow in Santa Fé, begged a little medicine for her sick child: "Not," said the disconsolate mother, "that the life of the babe imports me much, for I know the angelito [little angel] will go directly to heaven; but what shall I do to pay the priest for burying it? He will take my house and all from me — and I shall be turned desolate into the street!" — and so saying, she commenced weeping bitterly.

 
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Some of the critics explained the work by insisting that the child was some sort of medium, an instrument unaware of what was played upon it; others, considering the book a hoax, scorned the fact that any child could have written verses so smooth in execution and so remarkable in spiritual overtones. ... The appeal of such lines is not that they have been written by a child but by a poet.

 
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