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Z-Ro

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I wake up early in the evenin round five thirty or six my Nextel beepin from all the calls I missed.
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Z-Ro

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The Lord will always send a people wake-up calls. And he has been sending us wake-up call, after wake-up call, after a wake-up call. ... He has been sending us wake-up calls, and you can send two kinds of wake-up calls. One through fear, like 9/11. 9/11 woke us up, and we stood shoulder-to-shoulder for a very short period of time.

 
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Father calls me William, sister calls me Will,
Mother calls me Willie, but the fellers call me Bill!
Mighty glad I ain't a girl—ruther be a boy,
Without them sashes, curls, an' things that 's worn by Fauntleroy!
Love to chawnk green apples an' go swimmin' in the lake—
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I can entertain the proposition that life is a metaphor for boxing — for one of those bouts that go on and on, round following round, jabs, missed punches, clinches, nothing determined, again the bell and again and you and your opponent so evenly matched it’s impossible not to see that your opponent is you... Life is like boxing in many unsettling respects. But boxing is only like boxing.

 
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In the early days the Cubists’ method of grasping an object was to go round and round it (round the object, fh); the futurists declared that one had to get inside it (inside the object, fh). In my opinion the two views can be reconciled in a poetic cognition of the world. But to the very fact that they appealed to the creative depths in the painter by awakening in him hidden forces which were intuitive and vitalizing, the Futurist theories did more than the Cubist principles to open up unexplored and boundless horizons.

 
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And the seasons they go round and round,
And the painted ponies go up and down,
We’re all captive on the carousel of time
We can’t return we can only look behind
From where we came
And go 'round and 'round and 'round
In the circle game.

 
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