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The jargon makes it seem that ... the pure attention of the expression to the subject matter would be a fall into sin.
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p. 9

 

Theodor Adorno

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There are necessities and impossibilities in reality which do not obtain in fiction, any more than the law of gravity to which we are subject controls what is represented in a picture. ... It is the same with pure good; for a necessity as strong as gravity condemns man to evil and forbids him any good, or only within the narrowest limits and laboriously obtained and soiled and adulterated with evil. ... The simplicity which makes the fictional good something insipid and unable to hold the attention becomes, in the real good, an unfathomable marvel.

 

Simone Weil

 

(in the Italian Renaissance) there was no ‘subject-matter’. What we call subject matter now, was then painting itself. Subject matter came later on when parts of those works were taken out arbitrarily, when a man for no reason is sitting, standing or ling down. He became a bather, she became a bather; she was reclining; het just stood there looking ahead. That is when the posing in panting began... For really, when you think of all the life and death problems in the art of Renaissance, who cares if a Chevalier is laughing or that a young girl has a red blouse on.

 

Willem de Kooning

 

It is what makes conscious of the conditions and laws of observing which applied in this manner become a theme on its own. The activity of consciousness depending on the way the work itself proceeds, becomes the subject of my attention this way and it is precisely because of this voyeuristic attitude toward the own observation and experience of the subject that the conscious analytic dimension in the work shows. (about the ambivalence in his own work).

 

Antoni Tapies

 

We find that everything that makes up difference and number is pure accident, pure show, pure constitution. Every production, of whatever kind, is an alteration, but the substance remains always the same, because it is only one, one divine immortal being.

 

Giordano Bruno

 

I don't say he's a great man. Willy Loman never made a lot of money. His name was never in the paper. He's not the finest character that ever lived. But he's a human being, and a terrible thing is happening to him. So attention must be paid. He's not to be allowed to fall into his grave like an old dog. Attention, attention must be finally paid to such a person.

 

Arthur Miller