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Stephen Jay Gould

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If we choose a weak and foolish speculation as a primary textbook illustration (falsely assuming that the tale possesses a weight of history and a sanction of evidence), then we are in for trouble - as critics properly nail the particular weakness, and then assume that the whole theory must be in danger if supporters choose such a fatuous case as a primary illustration.
--
"The Tallest Tale", p. 314

 
Stephen Jay Gould

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My theory is that for those of us who are too weak to remain single, God gives us a spouse. For those of us who are too hung up to handle marriage, God gives us celibacy. So, pick your weakness. Pick your poison, I guess. But anyway, for those of you who do choose to be in love and stuff, go for it.

 
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The Gospels contain a fairy-story, or a story of a larger kind which embraces all the essence of fairy-stories. ... But this story has entered History and the primary world; ... It has pre-eminently the "inner consistency of reality." There is no tale ever told that men would rather find was true, and none which so many sceptical men have accepted as true on its own merits. For the Art of it has the supremely convincing tone of Primary Art, that is, of Creation. ...this story is supreme; and it is true. Art has been verified. God is the Lord, of angels, and of men — and of elves. Legend and History have met and fused.

 
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You can choose a ready guide in some celestial voice.
If you choose not to decide you still have made a choice.
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I will choose a path that's clear, I will choose free will.
-- Freewill (1980)

 
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Commitment often means that a woman achieves her primary fantasy, while a man gives his up. In exchange for forfeiting his primary fantasy, what does he hope to fulfill? His primary need: intimacy.

 
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