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I shall never cease from the practice and teaching of philosophy, exhorting anyone whom I meet after my manner, and convincing him, saying: O my friend, why do you who are a citizen of the great and mighty and wise city of Athens, care so much about laying up the greatest amount of money and honor and reputation, and so little about wisdom and truth and the greatest improvement of the soul, which you never regard or heed at all? Are you not ashamed of this? And if the person with whom I an arguing says: Yes, but I do care: I do not depart or let him go at once; I interrogate and examine and cross-examine him, and if I think that he has no virtue, but only says that he has, I reproach him with overvaluing the greater, and undervaluing the less. ...For this is the command of God, as I would have you know...
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29d-30a

 

Socrates

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I do nothing but go about persuading you all, old and young alike, not to take thought for your persons or your properties, but and chiefly to care about the greatest improvement of the soul. I tell you that virtue is not given by money, but that from virtue comes money and every other good of man, public as well as private. This is my teaching, and if this is the doctrine which corrupts the youth, I am a mischievous person.

 

Socrates

 

I am called wise, for my hearers always imagine that I myself possess wisdom which I find wanting in others: but the truth is, O men of Athens, that God only is wise; and in this oracle he means to say that the wisdom of men is little or nothing... as if he said, He, O men, is the wisest, who like Socrates, knows that his wisdom is in truth worth nothing. And so I go on my way, obedient to the god, and make inquisition into anyone, whether citizen or stranger, who appears to be wise; and if he is not wise, then in vindication of the oracle I show him that he is not wise; and this occupation quite absorbs me, and I have no time to give either to any public matter of interest or to any concern of my own, but I am in utter poverty by reason of my devotion to the god.

 

Socrates

 

He had a theory about it. It happened, and re-happened, because it was a city uninterested in history. Strange things occurred precisely because there was no necessary regard for the past. The city lived in a sort of everyday present. It had no need to believe in itself as a London, or an Athens, or even a signifier of the New World, like a Sydney, or a Los Angeles. No, the city couldn't care less about where it stood. He had seen a T-shirt once that said: NE YORK FUCKIN' CITY. As if it were the only place that ever existed and the only one that ever would.

 

Colum McCann

 

If in the stage I seek to soothe my care,
I meet his soul which breathes in Cato there;
If pensive to the rural shades I rove,
His shape o'ertakes me in the lonely grove;
'Twas there of just and good he reasoned strong,
Cleared some great truth, or raised some serious song:
There patient showed us the wise course to steer,
A candid censor, and a friend severe;
There taught us how to live; and (oh, too high
The price for knowledge!) taught us how to die.

 

Joseph Addison

 

Raphael and Titian are two names which stand the highest in our art, — one for drawing, the other for painting. . It is to Titian we must turn our eyes to find excellence with regard to color, and light and shade, in the highest degree. He was both the first and the greatest master of this art. By a few strokes he knew how to mark the general image and character of whatever object he attempted; and produced, by this alone, a truer representation than his master Giovanni Bellini, or any of his predecessors, who finished every hair. His great care was to express the general color, to preserve the masses of light and shade, and to give by opposition the idea of that solidity which is inseparable from natural objects. When those are preserved, though the work should possess no other merit, it will have in a proper place its complete effect; but where any of these are wanting, however minutely labored the picture may be in detail, the whole will have a false' and even an unfinished appearance, at whatever distance, or in whatever light, it can be shown. …This manner was then new to the world, but that unshaken truth on which it is founded has fixed it as a model to all succeeding painters; and those who will examine into the artifice will find it to consist in the power of generalizing, and in the shortness and simplicity of the means employed.

 

Titian