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Samuel Taylor Coleridge

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It has been observed before that images, however beautiful, though faithfully copied from nature, and as accurately represented in words, do not of themselves characterize the poet. They become proofs of original genius only as far as they are modified by a predominant passion; or by associated thoughts or images awakened by that passion; or when they have the effect of reducing multitude to unity, or succession to an instant; or lastly, when a human and intellectual life is transferred to them from the poet's spirit.
--
Ch. XV

 
Samuel Taylor Coleridge

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The poet presents the imagination with images from life and human characters and situations, sets them all in motion and leaves it to the beholder to let these images take his thoughts as far as his mental powers will permit. This is why he is able to engage men of the most differing capabilities, indeed fools and sages together. The philosopher, on the other hand, presents not life itself but the finished thoughts which he has abstracted from it and then demands that the reader should think precisely as, and precisely as far as, he himself thinks. That is why his public is so small.

 
Arthur Schopenhauer
 

Every true poet, I thought, must be original and originality a condition of poetic genius; so that each poet is like a species in nature (not an individuum genericum or specificum) and can never recur. That nothing shd. be old or borrowed however cannot be.

 
Gerard Manley Hopkins
 

When a man has a passion for a woman, and when that passion is of such a nature that he regards her with reverent admiration as an image of purity, none the less, in the unconscious, his desires turn towards bodily fulfillment, none the less the goal of physical possession is prefigured in the deepest recesses of his imagination. But when the passion is confined to the realm of the spirit, and, in that realm, is a man's passion for a man, how can it seek fulfillment? Unrestingly, the fancy wanders over the honored form, flaming up again and again to fresh ecstasy, but never finding repose in a last surrender. It flows on without pause in a current that can never empty the reservoir from which it comes. This passion is insatiable, as the spirit invariably is.

 
Stefan Zweig
 

In accordance with the Sabean theories images were erected to the stars, golden images to the sun, images of silver to the moon, and they attributed the metals and the climates to the influence of the planets, saying that a certain planet is the god of a certain zone. They built temples, placed in them images, and assumed that the stars sent forth their influence upon these images, which are thereby enabled (to speak) to understand, to comprehend, to inspire human beings, and to tell them what is useful to them. They apply the same to trees which fall to the lot of these stars.

 
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The time of illusion, then, is the beautiful moment of passion; it represents the artistic zone in which the poet or romance writer ought to be free to do the very best that he can.

 
Lafcadio Hearn
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