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Kodachrome,
They give us those nice bright colours,
Give us the greens of summers,
Makes you think all the world's a sunny day,
Oh, yeah, I got a Nikon camera,
I love to take a photograph,
So Mama, don't take my Kodachrome away.
--
Kodachrome

 

Paul Simon

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I didn't enter into this to get any kind of affirmation or confirmation. I entered into this to see what I could do for other people — to give them my sincerity, to give them my love and my care, to take a load off, to have a smile, to have a memory or two. Singing the blues has always been about alleviating the blues, and that's apparent when you listen to them. Sure is nice to hear that someone else is, or has been where you are, or have been. Because we forget sometimes, that we're all in this together, and we have many, many similar experiences — all the time, all across the world, in every age.

 

Ysabella Brave

 

Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be as precious and beautiful as the colours themselves. In fact, the colours themselves must be continuously modified and broken as part of the transition. Ruskin said in his Elements of Drawing, "Give me some mud off a city crossing, some ochre out of a gravel-pit, a little whitening, and some coal dust, and I will paint you a luminous picture, if you give me time to gradate my mud, and subdue my dust." In many works by the greatest colourists — Rembrandt and Watteau are examples — there are very few identifiable colours.

 

Kenneth Clark

 

Love is something if you give it away,
Give it away, give it away.
Love is something if you give it away,
You end up having more.
It's just like a magic penny,
Hold it tight and you won't have any.
Lend it, spend it, and you'll have so many
They'll roll all over the floor.

 

Malvina Reynolds

 

Between two fantasy alternatives, that Holbein the Younger had lived long enough to have painted Shakespeare or that a prototype of the camera had been invented early enough to have photographed him, most Bardolators would choose the photograph. This is not just because it would presumably show what Shakespeare really looked like, for even if the photograph were faded, barely legible, a brownish shadow, we would probably still prefer it to another glorious Holbein. Having a photograph of Shakespeare would be like having a nail from the True Cross.

 

Susan Sontag

 

Be generous! Give to those whom you love; give to those who love you; give to the fortunate; give to the unfortunate; yes — give especially to those to whom you don’t want to give.

 

W. Clement Stone