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Martin Short

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It's the bane of existence for anyone in comedy. 'The photograph must be funny!' So the people coordinating the shoot throw rubber chickens at you, 20 at a time. Or put a feathered hat on you. Or give you a clown nose. Of course, all of this makes you depressed, so you wind up looking more like you're promoting A Long Day's Journey Into Night.
--
"Hot Seat", Time Out New York; Issue 565: July 27–August 2, 2006

 
Martin Short

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Does the road wind up-hill all the way?
Yes, to the very end.
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From morn to night, my friend.

 
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Her left hand reminded her of its existence, and she looked round to see what was scratching the heel of her hand. It was a tiny thistle, crouched in a crack in the sandstone, barely lifting its colorless spikes into the light and wind. It nodded stiffly as the wind blew, resisting the wind, rooted in rock. She gazed at it for a long time.

 
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There isn’t anything weird about my music. Weird is a skeleton in the closet, wearing a rubber mask with warts all over its nose, and all that kind of shit. That’s not what I do. The thing that makes my music unusual is that people only hear one kind of music all the time over the radio. It’s wallpaper to their lives. Audile wallpaper. There’s one acceptable beat and there are three acceptable chord progressions. There are five acceptable words: baby, love, tears, yat yat. Just because I don’t deal in those terms doesn’t mean I’m weird. So tell these people: I ain’t weird; I’m rational. I’m a person who can choose to write stuff like that, or choose to write stuff that includes all the notes on the piano played at once, followed by a cement truck driving over the piano, followed by a small atomic explosion. Nothing weird about that as long as you do it in a meaningful way.

 
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