Sunday, December 22, 2024 Text is available under the CC BY-SA 3.0 licence.

Kate Bush

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My terrible fear of dying
No longer plays with me,
for now I know that I'm needed
For the symphony.

 
Kate Bush

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One life is all we have, and we live it as we believe in living it, and then it's gone. But to surrender what you are, and live without belief - that's more terrible than dying - more terrible than dying young.

 
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Al Gore's not going to be rounding up Jews and exterminating them. It is the same tactic, however. The goal is different. The goal is globalization. The goal is global carbon tax.…You need to have fear. You needed to have the fear of starvation. You needed to have the fear of the whole place going to hell in a handbasket. Which — do we have that fear now with global warming?…Then you have to discredit the scientists that say "That's not right." And you must silence all dissenting voices. That's what Hitler did. That's what Al Gore, the U.N., and everybody on the global warming bandwagon [are doing].

 
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It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.

 
Sergei Prokofiev
 

The competition between human beings destroys with cold and diabolic brutality.... Under the pressure of this competitive fury we have not only forgotten what is useful to humanity as a whole, but even that which is good and advantageous to the individual.... One asks, which is more damaging to modern humanity: the thirst for money or consuming haste... in either case, fear plays a very important role: the fear of being overtaken by one's competitors, the fear of becoming poor, the fear of making wrong decisions or the fear of not being up to snuff.

 
Konrad Lorenz
 

If I had not existed, someone else would have written me, Hemingway, Dostoevsky, all of us. Proof of that is that there are about three candidates for the authorship of Shakespeare's plays. But what is important is Hamlet and A Midsummer Night's Dream, not who wrote them, but that somebody did. The artist is of no importance. Only what he creates is important, since there is nothing new to be said. Shakespeare, Balzac, Homer have all written about the same things, and if they had lived one thousand or two thousand years longer, the publishers wouldn’t have needed anyone since.

 
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