William Faulkner (1897 – 1962)
American novelist and poet whose works feature his native state of Mississippi.
We never thought, sitting in my office on those afternoons, discussing Voltaire and Ingersoll, that we would ever be brought to this, did we? You, the atheist whom the mere sight of a church spire on the sky could enrage; and I who have never been able to divorce myself from reason enough even to accept your pleasant and labor-saving theory of nihilism.
Sometimes I think it aint none of us pure crazy and aint none of us pure sane until the balance of us talks him that-a-way. It's like it aint so much what a fellow does, but it's the way the majority of folks is looking at him when he does it.
No one is without Christianity, if we agree on what we mean by that word. It is every individual’s individual code of behavior by means of which he makes himself a better human being than his nature wants to be, if he followed his nature only. Whatever its symbol — cross or crescent or whatever — that symbol is man’s reminder of his duty inside the human race. Its various allegories are the charts against which he measures himself and learns to know what he is. It cannot teach a man to be good as the textbook teaches him mathematics. It shows him how to discover himself, evolve for himself a moral codes and standard within his capacities and aspirations, by giving him a matchless example of suffering and sacrifice and the promise of hope.
The writer's only responsibility is to his art. He will be completely ruthless if he is a good one. He has a dream. It anguishes him so much that he can't get rid of it. He has no peace until then. Everything goes by the board: honor, pride, decency, security, happiness, all, to get the book written. If a writer has to rob his mother, he will not hesitate; the “Ode on a Grecian Urn” is worth any number of old ladies.
The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist's way of scribbling "Kilroy was here" on the wall of the final and irrevocable oblivion through which he must someday pass.
Dilsey stroked Ben's head, slowly and steadily, smoothing the bang upon his brow. He wailed quietly, unhurriedly. "Hush," Dilsey said. "Hush, now. We be gone in a minute. Hush, now." He wailed quietly and steadily.
It takes two people to make you, and one people to die. That's how the world is going to end.
All of us failed to match our dreams of perfection. So I rate us on the basis of our splendid failure to do the impossible.
I’m a failed poet. Maybe every novelist wants to write poetry ?rst, ?nds he can’t, and then tries the short story, which is the most demanding form after poetry. And, failing at that, only then does he take up novel writing.
Life was created in the valleys. It blew up onto the hills on the old terrors, the old lusts, the old despairs. That's why you must walk up the hills so you can ride down.
He had a word, too. Love, he called it. But I had been used to words for a long time. I knew that that word was like the others: just a shape to fill a lack; that when the right time came, you wouldn't need a word for that anymore than for pride or fear.
The past is never dead. It's not even past.
For the holy are susceptible to to evil, even as you and I, signori; they too are helpless before sin without God's aid… and the holy can be fooled by sin as quickly as you or I, signori. Quicker, because they are holy.
Time is a fluid condition which has no existence except in the momentary avatars of individual people. There is no such thing as was — only is. If was existed, there would be no grief or sorrow. I like to think of the world I created as being a kind of keystone in the universe; that, small as that keystone is, if it were ever taken away the universe itself would collapse.
So vast, so limitless in capacity is man's imagination to disperse and burn away the rubble-dross of fact and probability, leaving only truth and dream.
Who is he who will affirm that there must be a web of flesh and bone to hold the shape of love?
Don Quixote — I read that every year, as some do the Bible.
People between twenty and forty are not sympathetic. The child has the capacity to do but it can’t know. It only knows when it is no longer able to do — after forty. Between twenty and forty the will of the child to do gets stronger, more dangerous, but it has not begun to learn to know yet. Since his capacity to do is forced into channels of evil through environment and pressures, man is strong before he is moral. The world’s anguish is caused by people between twenty and forty.
Always dream and shoot higher than you know you can do. Don't bother just to be better than your contemporaries or predecessors. Try to be better than yourself. An artist is a creature driven by demons. He don’t know why they choose him and he’s usually too busy to wonder why. He is completely amoral in that he will rob, borrow, beg, or steal from anybody and everybody to get the work done.
The artist doesn't have time to listen to the critics. The ones who want to be writers read the reviews, the ones who want to write don't have the time to read reviews.