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Julien Friedler

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The Book of Boz is neither a novel nor a poem nor a tale. Even less is it a drama or an essay.
It is nothing except the style that inspires it and haunts it, to excess.
No points of reference here.
No beacon.
You sail wherever the wind blows.
Stories are woven, end, are reborn, with the flow, before a storm comes up to carry us further away, to the threshold of a new vision.
For, that is The Book of Boz : a work outside of norms, indefinable, created by a wanderer for other wanderers.
--
The Book of Boz

 
Julien Friedler

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You will want a book which contains not man's thoughts, but God's — not a book that may amuse you, but a book that can save you — not even a book that can instruct you, but a book on which you can venture an eternity — not only a book which can give relief to your spirit, but redemption to your soul — a book which contains salvation, and conveys it to you, one which shall at once be the Saviour's book and the sinner's.

 
John Selden
 

Very broadly, I think one writes and rewrites the same book. I lead a character from book to book, I continue along with the same ideas. Only the angle of vision, the method, the lighting, change.

 
Francoise Sagan
 

A lot of poets published their own work then; unlike novels, poetry was short, and therefore cheap to do. We had to print each poem separately, and then disassemble it, as there were not enough a's for the whole book; the cover was done with a lino-block. We printed 250 copies, and sold them through bookstores, for 50 cents each. They now go in the rare book trade for eighteen hundred dollars a pop. Wish I'd kept some.

 
Margaret Atwood
 

My book is different.
In case you hadn't noticed, the story I'm telling is a little different. It's a little shy on the Aristotelian unities. It doesn't follow the classic Hollywood three-act structure. It's not like a five-act Shakespearean play. It's not like a Harlequin romance.
So what *is* the structure then? F**k if I know. That's part of what's taking me so long to figure out. As far as I can tell, my story is part autobiography, part hero's journey, part epic fantasy, part travelogue, part faerie tale, part coming of age story, part romance, part mystery, part metafictional-nested-story-frame-tale-something-or-other.
I am, quite frankly, making this up as I go. If I get it right, I get something like The Name of the Wind. Something that makes all of us happy.
But if I f**k it up, I'll end up with a confusing tangled mess of a story.
Now I'm not trying to claim that I'm unique in this. That I'm some lone pioneer mapping the uncharted storylands. Other authors do it too. My point is that doing something like this takes more time that writing another shitty, predictable Lord of the Rings knockoff.
Sometimes I think it would be nice to write a that sort of book. It would be nice to be able to use those well-established structures like a sort of recipe. A map. A paint-by-numbers kit.
It would be so much easier, and quicker. But it wouldn't be a better book. And it's not really the sort of book I want to write.

 
Patrick Rothfuss
 

We embarked on our journey to the stars with a question first framed in the childhood of our species and in each generation asked anew with undiminished wonder: What are the stars? Exploration is in our nature. We began as wanderers, and we are wanderers still. We have lingered long enough on the shores of the cosmic ocean. We are ready at last to set sail for the stars.

 
Carl Sagan
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