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Joseph Goebbels

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Goethe as an old man: he was so very punctual. At that time he also wrote many things that were very punctual. The rounded thing is boring. Turn it as you may, it remains round and pretty.
I love the edges, the sharp lines, and fractures.
I show to him a picture of Dostoevsky. How ruptured, furrowed, tormented!
He looks like Michelangelo; the face of an endurer and a prophet.
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Der alte Goethe: er war so pünktlich. Er schrieb damals auch vieles, was sehr pünktlich war. Das Runde ist langweilig. Dreh es wie du willst, es bleibt rund und schön. Ich liebe Ecken, Kanten und Risse. Ich lege ihm ein Bild von Dostojewski vor. Wie zerrissen, wie zerfurcht und zerhauen! So sieht auch Michelangelo aus; ein Dulder- und Prophetengesicht.

 
Joseph Goebbels

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A man from Bani Aslam came to Allah's Apostle while he was in the mosque and called (the Prophet ) saying, "O Allah's Apostle! I have committed illegal sexual intercourse." On that the Prophet turned his face from him to the other side, whereupon the man moved to the side towards which the Prophet had turned his face, and said, "O Allah's Apostle! I have committed illegal sexual intercourse." The Prophet turned his face (from him) to the other side whereupon the man moved to the side towards which the Prophet had turned his face, and repeated his statement. The Prophet turned his face (from him) to the other side again. The man moved again (and repeated his statement) for the fourth time. So when the man had given witness four times against himself, the Prophet called him and said, "Are you insane?" He replied, "No." The Prophet then said (to his companions), "Go and stone him to death." The man was a married one. Jabir bin 'Abdullah Al-Ansari said: I was one of those who stoned him. We stoned him at the Musalla ('Id praying place) in Medina. When the stones hit him with their sharp edges, he fled, but we caught him at Al-Harra and stoned him till he died.

 
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The university is well structured, well tooled, to turn out people with all the sharp edges worn off, the well-rounded person. The university is well equipped to produce that sort of person, and this means that the best among the people who enter must for four years wander aimlessly much of the time questioning why they are on campus at all, doubting whether there is any point in what they are doing, and looking toward a very bleak existence afterward in a game in which all of the rules have been made up, which one cannot really amend.

 
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The habitually punctual make all their mistakes right on time.

 
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Life for a punctual person is like a roller coaster. All kinds of things are going to happen to you! Sure, I can see the whole roller coaster you're on. And sure — I could give you a piece of paper that would tell you about every dip and turn, warn you about every bogeyman that was going to pop out at you in the tunnels. But that wouldn't help you any. Because you'd still have to take the roller-coaster ride, I didn't design the roller coaster, I don't own it, and I don't say who rides and who doesn't. I just know what it's shaped like.

 
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When we look at the age in which we live—no matter what age it happens to be—it is hard for us not to be depressed by it. The taste of the age is, always, a bitter one. “What kind of a time is this when one must envy the dead and buried!” said Goethe about his age; yet Matthew Arnold would have traded his own time for Goethe’s almost as willingly as he would have traded his own self for Goethe’s. How often, after a long day witnessing elementary education, School Inspector Arnold came home, sank into what I hope was a Morris chair, looked ’round him at the Age of Victoria, that Indian Summer of the Western World, and gave way to a wistful, exacting, articulate despair!
Do people feel this way because our time is worse than Arnold’s, and Arnold’s than Goethe’s, and so on back to Paradise? Or because forbidden fruits—the fruits forbidden to us by time—are always the sweetest? Or because we can never compare our own age with an earlier age, but only with books about that age?
We say that somebody doesn’t know what he is missing; Arnold, pretty plainly, didn’t know what he was having. The people who live in a Golden Age usually go around complaining how yellow everything looks. Maybe we too are living in a Golden or, anyway, Gold-Plated Age, and the people of the future will look back at us and say ruefully: “We never had it so good.” And yet the thought that they will say this isn’t as reassuring as it might be. We can see that Goethe’s and Arnold’s ages weren’t as bad as Goethe and Arnold thought them: after all, they produced Goethe and Arnold. In the same way, our times may not be as bad as we think them: after all, they have produced us. Yet this too is a thought that isn’t as reassuring as it might be.

 
Randall Jarrell
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