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In the early days the Cubists’ method of grasping an object was to go round and round it (round the object, fh); the futurists declared that one had to get inside it (inside the object, fh). In my opinion the two views can be reconciled in a poetic cognition of the world. But to the very fact that they appealed to the creative depths in the painter by awakening in him hidden forces which were intuitive and vitalizing, the Futurist theories did more than the Cubist principles to open up unexplored and boundless horizons.
--
as quoted in Letters of the great artists, Richard Friedenthal, Thames and Hudson , London, 1963, p. 248 (translation Daphne Woodward)

 

Gino Severini

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And the seasons they go round and round,
And the painted ponies go up and down,
We’re all captive on the carousel of time
We can’t return we can only look behind
From where we came
And go 'round and 'round and 'round
In the circle game.

 

Joni Mitchell

 

Object in/ and space – the first impulse may be to give the object – a position – to place the object. (The object had a position to begin with.) Next – to change the position of the object. – Rauschenberg’s early sculptures – A board with some rocks on it. The rocks can be anywhere on the board. - Cage’s Japanese rock garden – The rocks can be anywhere (within the garden)…

 

Jasper Johns

 

—You know what Aquinas says: The three things requisite for beauty are, integrity, a wholeness, symmetry and radiance. Some day I will expand that sentence into a treatise. Consider the performance of your own mind when confronted with any object, hypothetically beautiful. Your mind to apprehend that object divides the entire universe into two parts, the object, and the void which is not the object. To apprehend it you must lift it away from everything else: and then you perceive that it is one integral thing, that is a thing. You recognise its integrity. Isn't that so?
— And then?
—That is the first quality of beauty: it is declared in a simple sudden synthesis of the faculty which apprehends. What then? Analysis then. The mind considers the object in whole and in part, in relation to itself and to other objects, examines the balance of its parts, contemplates the form of the object, traverses every cranny of the structure. So the mind receives the impression of the symmetry of the object. The mind recognises that the object is in the strict sense of the word, a thing, a definitely constituted entity. You see?
— Let us turn back, said Cranly.

 

James Joyce

 

All your thoughts are in another head.
Your dreams are sleepin' in a different bed.
The force that moves you is a circular breath
of life and death going round and round and round.

 

Edie Brickell

 

I may never have experienced a centaur, but by imagining one, I know that I can also imagine others that resemble this one and yet are different. But the God of the Bible is not only One, but the only possible One. As such, He cannot become an object of knowledge. And He cannot be imagined. A god that can be imagined would be a pagan deity (of which their always can be many), but not the One of the Bible. This is why the second of the Ten Commandments forbids the making of images; that is to say, it forbids any suggestion that God can become an object of knowledge by being an object of perception. It is because He cannot become an object of knowledge that He can, and indeed must, be an object of faith.

 

Leo Strauss