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The element of heroic maleness had always been present in the concept of the artist as one who rides the winged horse above the clouds beyond the sight of lesser men, a concept seldom applied to those who worked with colours until the nineteenth century. When the inevitable question is asked, "Why are there no great women artists?" it is this dimension of art that is implied. The askers know little of art, but they know the seven wonders of the painting world.
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Chapter V: Dimension (p. 105)

 

Germaine Greer

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To tell you the truth, I am rather perplexed about the concept of "art”. What one person considers to be "art" is often not "art" to another. "Beautiful" and "ugly" are old-fashioned concepts that are seldom applied these days; perhaps justifiably, who knows? Something repulsive, which gives you a moral hangover, and hurts your ears or eyes, may well be art. Only "kitsch" is not art - we're all agreed about that. Indeed, but what is "kitsch"? If only I knew!

 

M. C. Escher

 

The free artist creates without a commission. He seems distinguished by the complete independence of his creativity and thus acquires the characteristic social features of an outsider whose style of life cannot be measured by the standards of public morality. The concept of the bohemian which arose in the nineteenth century reflects this process. The home of the Gypsies became the generic word for the artist's way of life.
But at the same time the artist, who is as "free as a bird or a fish," bears the burden of a vocation that makes him an ambiguous figure. For a cultured society that has fallen away from its religious traditions expects more from art than the aesthetic consciousness and the "standpoint of art" can deliver. The Romantic desire for a new mythology... gives the artist and his task in the world the consciousness of a new consecration. He is something like a "secular saviour' for his creations are expected to achieve on a small scale the propitiation of disaster for which an unsaved world hopes.

 

Hans-Georg Gadamer

 

If the famous Clementi, whom I found here (Italy) in the year 1766, and bought of his father for seven years, is not still a Catholic, the fault is not with me.—I assured the Pope I would not endeavour to convert him. Meeting him one Sunday when we were in the country, I asked him—" Why he did not go to mass" (there was a Catholic chapel about ten miles distant) : he said—" There was no horse."—" No horse! Why don't you take the grey horse?"—"O quello, Signore, scappa via.( O that one, Gentleman, run off. )"—" Take then the black poney."—" E quello casca subito.( And that one falls quickly.)" So what with the horse that fell, and the horse that ran away, I fear Signior Clementi attended mass as seldom as you do a sermon.

 

Peter Beckford

 

"Those truly committed to liberation must reject the banking concept in its entirety, adopting instead a concept of women and men as conscious beings, and consciousness as consciousness intent upon the world. They must abandon the educational goal of deposit-making and replace it with the posing of the problems of human beings in their relations with the world."

 

Paulo Freire

 

The concept of an independent "spiritual realm" does not augment, for me, the magic of the mystical dimension, whereas to think of this dimension as emergent from our minds makes it all the more wondrous to be a human.

 

Ursula Goodenough