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The new pornographers subvert this last, vital privacy; they do our imagining for us. They take away the words that were of the night and shout them over the roof-tops, making them hollow.
--
"Night Words," Encounter (October 1965)

 

George Steiner

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The oracles are dumb,
No voice or hideous hum
Runs through the arched roof in words deceiving.
Apollo from his shrine
Can no more divine,
With hollow shriek the steep of Delphos leaving.
No nightly trance or breathed spell
Inspires the pale-eyed priest from the prophetic cell.

 

John Milton

 

I couldn't get that same feeling during the day, with my hands in dirty dish water and the hard sun showing up the dirtiness on the roof tops. And after a time, even at night, the feeling of God didn't last. I began to wonder what the minister meant when he said, "God, the father, sees even the smallest sparrow fall. He watches over all his children." That jumbled it all up for me. But I was sure of one thing. If God were a father, with children, that cleanliness I had been feeling wasn't God. So at night, when I went to bed, I would think, "I am clean. I am sleepy." And then I went to sleep. It didn't keep me from enjoying the cleaness any less. I just knew that God wasn't there. He was a man on a throne in Heaven, so he was easy to forget.

 

Frances Farmer

 

I miss having to wonder about any aspect of an artist’s life. [This] was a luxury we don’t have anymore. Whether it’s the people surrounding them revealing things about their process or their personal lives, or the artists themselves going on Twitter and telling you what they’re doing in the middle of the night with their girlfriend — it’s like, ‘Wow, um... I really liked you better before you told me that. I really would like to go back to imagining the person that I was imagining.’

 

Davey Havok

 

It’s the same old wilderness, just no longer up on that hill or around that bend or in the gully. It’s the fact that there is no more hill or gully, that the hollow is there and you’ve got to explore the hollow with faith. If you don’t have faith that there is something down there, pretty soon when you’re in the hollow, you begin to get scared and start shaking. That’s when you stop taking acid and start taking coke and drinking booze and start trying to fill the hollow with depressants and Valium. Real warriors like William Burroughs or Leonard Cohen or Wallace Stevens examine the hollow as well as anybody; they get in there, look far into the dark, and yet come out with poetry.

 

Ken Kesey

 

I think [Shout 2000] is a masterpiece. We did want a song that is completely opposite to our sound, you know, coming from a completely different direction, but yet at the same time has the same meaning, has lyrics like something written by Disturbed. "Shout" is perfect for it. It's about voicing your displeasure and yelling it out, shouting it out, not sitting back and taking it. But if you remember when "Shout" was written – it's an '80s pop song from England – things were softer then. I think it really blends in well with our other songs and we play it almost every night and our audiences love it... Curt Smith told us that he thinks now finally the song has the aggression he envisioned when he wrote the lyrics. Wow, that was such a great compliment. We were floored. We could hardly believe it.

 

David Draiman