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Friedrich von Schiller

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Man only plays when in the full meaning of the word he is a man, and he is only completely a man when he plays.
--
Letter 15.

 
Friedrich von Schiller

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The Geschick of being: a child that plays... Why does it play, the great child of the world-play Heraclitus brought into view in the aiôn? It plays, because it plays. The "because" withers away in the play. The play is without "why." It plays since it plays. It simply remains a play: the most elevated and the most profound. But this "simply" is everything, the one, the only... The question remains whether and how we, hearing the movements of this play, play along and accommodate ourselves to the play.

 
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Well, all the plays that I was trying to write … were plays that would grab an audience by the throat and not release them, rather than presenting an emotion which you could observe and walk away from.

 
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The verbal poetical texture of Shakespeare is the greatest the world has known, and is immensely superior to the structure of his plays as plays.

 
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The real test of a man is not how well he plays the role he has invented for himself, but how well he plays the role that destiny assigned to him.

 
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As a youth I enjoyed — indeed, like most of my contemporaries, revered — the agitprop plays of Brecht, and his indictments of Capitalism. It later occurred to me that his plays were copyrighted, and that he, like I, was living through the operations of that same free market. His protestations were not borne out by his actions, neither could they be. Why, then, did he profess Communism? Because it sold. The public’s endorsement of his plays kept him alive; as Marx was kept alive by the fortune Engels’s family had made selling furniture; as universities, established and funded by the Free Enterprise system — which is to say by the accrual of wealth — house, support, and coddle generations of the young in their dissertations on the evils of America.

 
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