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I like Brando's acting ... and James Dean ... and Richard Widmark. Quite a few of 'em I like.
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When asked to name his favorite male actors, in "Elvis Exclusive Interview" with Ray Green in Little Rock, Arkansas (16 May 1956), as published in Elvis — Word for Word : What He Said, Exactly As He Said It (1999)

 

Elvis Presley

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Simply put, in film acting, there is before Brando, and there is after Brando. And they are like different worlds.

 

Marlon Brando

 

Little Richard - he was the first one that really got to me. Little Richard and, of course, Elvis Presley. I don't know if it was because of James Brown and Little Richard, I always preferred a high energy vocal, a hard full-force vocal. I liked Little Richard better than Elvis, and I liked James Brown better than the Beatles...but the Miracles were a heavy influence on me, too...[though] I always preferred the more energized vocals.

 

Little Richard

 

He was the biggest of them all. And he knew it. ...he wanted everyone to call him 'King Richard'.... He had the biggest, flashiest and with all the best looking players. He also had the greatest parties in his hotel rooms. At least, that's what I was told. They wouldn't let me in, because I was underage." Etta also mentions her first meeting with James Brown, in Macon, Georgia, where this young Dancer/Boxer/Gospel Singer had befriended Little Richard. "He used to carry around an old tattered napkin with him, because Little Richard had written the words, 'Please, Please, Please' on it and James was determined to make a song out of it.

 

Little Richard

 

Thank you, Donald, for that well-meant but rather pedestrian introduction. Regarding yourself, I quote from the third part of Shakespeare's Henry VI, Act Two, Scene One. Richard speaks, "Were thy heart as hard as steel/ As thou hast shown it flinty by thy deeds/ I come to pierce it, or to give thee mine." To translate into your own idiom, Donald; you're a yo-yo. Now I direct my remarks to Dean Martin, who is being honored here tonight...for reasons that completely elude me. No, I'm not being fair to Dean because - this is true - in his way Dean, and I know him very well, has the soul of a poet. I'm told that in his most famous song Dean authored a lyric which is so romantic, so touching that it will be enjoyed by generations of lovers until the end of time. Let's share it together. [Opens a songsheet for Dean's "That's Amore" and reads in a monotone] "When the moon hits your eye/ Like a big pizza-pie/ That's amore" Now, that's what I call 'touching', Dean. It has all the romanticism of a Ty-D-Bol commercial. "When the world seems to shine/ Like you've had too much wine/ That's amore" What a profound thought. It could be inscribed forever on a cocktail napkin. Hey, there's more. "Tippy-tippy-tay/ Like a gay tarantella" Like a gay tarantella? Apparently, Dean has a 'side Dean' we know nothing about. "When the stars make you drool/ Just like a pasta fazool .... Scuzza me, but you see/ Back in old Napoli/ That's amore" No, Dean; that's infermo, Italian for "sickened". Now, lyrics like that - lyrics like that ought to be issued with a warning: a song like that is hazardous to your health. Ladies and gentlemen...[motions to Dean] you are looking at the end result!

 

Orson Welles