Orson Welles quotes

You don't know what I'm up against. Because it's full of, of, of things that are only correct because they're grammatical, but they're tough on the ear, you see. This is a very wearying one. It's unpleasant to read. Unrewarding. "Because Findus freeze the cod at sea, and then add a crumb-crisp" Ooh, "crumb-crisp coating." Ahh, that's tough, "crumb-crisp coating." I think, no, because of the way it's written, you need to break it up, because it's not, it's not as conversationally written.

Those of us who were close to Orson had long been aware of the obsessive part his father used to play in his life. Much of what he had accomplished so precociously had been done out of a furious need to prove himself in the eys of a man who was no longer there to see it. Now that success had come, in quantities and of a kind that his father had never dreamed of, this conflict, far from being assuaged, seemed to grow more intense and consuming.

"We know a little place in the American Far West, where Charlie Briggs chops up the finest prairie-fed beef and tastes..." (pauses, and continues with a note of disgust in his voice) This is a lot of shit, you know that! You want one more? One more on the beef?

To me, Orson is so much like a destitute king. A ‘destitute’ king, not because he was thrown away from the kingdom, but [because] on this earth, the way the world is, there is no kingdom good enough for Orson Welles.

I have always been more interested in experiment, than in accomplishment.

Orson revealed his surprising capacity for collaboration. For all the mass of his own ego, he was able to apprehend other people’s weakness and strength and to make creative use of them: he had a shrewn instinctive sense of when to bully or charm, when to be kind or savage…’

Hollywood is Hollywood. There’s nothing you can say about it that isn’t true, good or bad. And if you get into it, you have no right to be bitter — you’re the one who sat down, and joined the game.

This is Orson Welles, ladies and gentlemen, out of character, to assure you that The War of the Worlds has no further significance than as the holiday offering it was intended to be; The Mercury Theatre's own radio version of dressing up in a sheet and jumping out of a bush and saying "Boo!" Starting now, we couldn't soap all your windows and steal all your garden gates by tomorrow night, so we did the next best thing. We annihilated the world before your very ears and utterly destroyed the CBS. You will be relieved, I hope, to learn that we didn't mean it, and that both institutions are still open for business. So goodbye everybody, and remember please for the next day or so the terrible lesson you learned tonight. That grinning, glowing, globular invader of your living room is an inhabitant of the pumpkin patch, and if your doorbell rings and nobody's there, that was no Martian, it's Halloween.

One should make movies innocently — the way Adam and Eve named the animals, their first day in the garden…Learn from your own interior vision of things, as if there had never been a D.W.Griffith, or a Eisenstein, or a [John] Ford, or a [Jean] Renoir, or anybody.

There, but for the grace of God, goes God.

In Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed - they produced Michelangelo, Leonardo Da Vinci and the Renaissance. In Switzerland, they had brotherly love and five hundred years of democracy and peace, and what did they produce? The cuckoo clock!

I suppose you are a fool to do it [express a political view as an artist], but if you happen to be more interested in the political question, than the size of your audience, then it doesn't matter.

I try to be a Christian...I don't pray really, because I don't want to bore God.

Thank you, Donald, for that well-meant but rather pedestrian introduction. Regarding yourself, I quote from the third part of Shakespeare's Henry VI, Act Two, Scene One. Richard speaks, "Were thy heart as hard as steel/ As thou hast shown it flinty by thy deeds/ I come to pierce it, or to give thee mine." To translate into your own idiom, Donald; you're a yo-yo. Now I direct my remarks to Dean Martin, who is being honored here tonight...for reasons that completely elude me. No, I'm not being fair to Dean because - this is true - in his way Dean, and I know him very well, has the soul of a poet. I'm told that in his most famous song Dean authored a lyric which is so romantic, so touching that it will be enjoyed by generations of lovers until the end of time. Let's share it together. [Opens a songsheet for Dean's "That's Amore" and reads in a monotone] "When the moon hits your eye/ Like a big pizza-pie/ That's amore" Now, that's what I call 'touching', Dean. It has all the romanticism of a Ty-D-Bol commercial. "When the world seems to shine/ Like you've had too much wine/ That's amore" What a profound thought. It could be inscribed forever on a cocktail napkin. Hey, there's more. "Tippy-tippy-tay/ Like a gay tarantella" Like a gay tarantella? Apparently, Dean has a 'side Dean' we know nothing about. "When the stars make you drool/ Just like a pasta fazool .... Scuzza me, but you see/ Back in old Napoli/ That's amore" No, Dean; that's infermo, Italian for "sickened". Now, lyrics like that - lyrics like that ought to be issued with a warning: a song like that is hazardous to your health. Ladies and gentlemen...[motions to Dean] you are looking at the end result!

I don't take art as seriously as politics.

The man I got to know so well in no way resembled the mythical mask-wearer that everyone else saw and believed him to be. I discovered an incredibly open, deeply warm, and profoundly human friend, one who was generous to an unbelievable fault, was caring and concerned, and was vulnerable to the point of such fragility that he could be wounded terribly by the unaware, casual, critical statement of almost any outsider. I was always astounded by the way in which so many who did not know him viewed him as an arrogant, terrifying, egocentric ogre. They approached him with so much diffidence and fear as to set him up in such a way that his only possible response would be to satisfy their expectations. The Mask would win again.

The ideal American type is perfectly expressed by the Protestant, individualist, anti-conformist, and this is the type that is in the process of disappearing. In reality there are few left.

As for my style, for my vision of the cinema, editing is not simply one aspect; it's the aspect.

This theatre is your theatre. You are responsible for its creation and its progress.

That doesn't make any sense. Sorry. There's no known way of saying an English sentence in which you begin a sentence with "in" and emphasize it. Get me a jury and show me how you can say "In July" and I'll go down on you. That's just idiotic, if you'll forgive me by saying so. That's just stupid... "In July"; I'd love to know how you emphasize "In" in "In July". Impossible! Meaningless!