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To remain on earth you must be useful, otherwise Nature regards you as old metal, and is only watching for a chance to melt you over.

 

Elbert Hubbard

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The questioner wants to know why, after these many years of watching, he hasn't found the deep waters. Why should he find them? Do you understand? You think that by watching your own thoughts you are going to get a reward: if you do this, you will get that. You are really not watching at all, because your mind is concerned with gaining a reward. You think that by watching, by being aware, you will be more loving, you will suffer less, be less irritable, get something beyond; so your watching is a process of buying. With this coin you are buying that, which means that your watching is a process of choice; therefore it isn't watching, it isn't attention. To watch is to observe without choice, to see yourself as you are without any movement of desire to change, which is an extremely arduous thing to do; but that doesn't mean that you are going to remain in your present state. You do not know what will happen if you see yourself as you are without wishing to bring about a change in that which you see. Do you understand?

 

Jiddu Krishnamurti

 

How do you think a spade, sword or dagger wounds us? Because the metal is a form of matter in which the particles are closer and more tightly bound together than those of your flesh. The metal forces flesh to yield to strength, just as a galloping squadron penetrates a battle line that is of much greater extent.
And why is a piece of hot metal hotter than a piece of burning wood? Because the metal contains more heat in a smaller volume. The particles in the metal are more compact than those in the wood.

 

Cyrano de Bergerac

 

Genius is present in every age, but the men carrying it within them remain benumbed unless extraordinary events occur to heat up and melt the mass so that it flows forth.

 

Denis Diderot

 

Human nature is said by many to be good; if so, where have social evils come from? For human nature is the only moral nature in that corrupting thing called "society." Every example set before the child of to-day is the fruit of human nature. It has been planted on every possible field — among the snows that never melt; in temperate regions, and under the line; in crowded cities, in lonely forests; in ancient seats of civilization, in new colonies; and in all these fields it has, without once failing, brought forth a crop of sins and troubles.

 

William (minister) Arthur

 

The Opera House is a splendid edifice, and I wish to take nothing away from it, but my heart belongs to the Harbour Bridge. It's not as festive, but it is far more dominant – you can see it from every corner of the city, creeping into frame from the oddest angles, like an uncle who wants to get into every snapshot. From a distance it has a kind of gallant restraint, majestic but not assertive, but up close it is all might. It soars above you, so high that you could pass a ten-storey building beneath it, and looks like the heaviest thing on earth. Everything that is in it – the stone blocks in its four towers, the latticework of girders, the metal plates, the six-million rivets (with heads like halved apples) – is the biggest of its type you have ever seen. This is a bridge built by people who have had an Industrial Revolution, people with mountains of coal and ovens in which you could melt down a battleship. The arch alone weighs 30,000 tons. This is a great bridge.

 

Bill Bryson