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Edward Young

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Beautiful as sweet!
And young as beautiful! and soft as young!
And gay as soft! and innocent as gay.
--
Line 81.

 
Edward Young

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Arnold: I think my biggest problem is being young and beautiful. It's my biggest problem because I've never been young and beautiful. Oh, I've been beautiful, and God knows I've been young, but never the twain have met.

 
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Reading, solitude, idleness, a soft and sedentary life, intercourse with women and young people, these are perilous paths for a young man, and these lead him constantly into danger.

 
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Of course, not everything old is beautiful, any more than everything black, or everything white, or everything young. But the notion that old means ugly is every bit as harmful as the prejudice that black is ugly. In one way it is even more pernicious.
The notion that only what is new and young is beautiful poisons our relationship to the past and to our own future. It keeps us from understanding our roots and the greatest works of our culture and other cultures. It also makes us dread what lies ahead of us and leads many to shirk reality.

 
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So when some man says to me, "Don't you wish you were beautiful?" those are like killing words. That's my death, if I don’t pummel it into his soft, not-yet-completely-formed radio disc-jockey skull that I am already beautiful, and I wish for nothing, other than for him to go away. I am so beautiful, sometimes people weep when they see me. And it has nothing to do with what I look like really, it is just that I gave myself the power to say that I am beautiful, and if I could do that, maybe there is hope for them too. You can't even get to me. I got special service, boundaries like the rings of Saturn. I am protected. I am four–five faggots deep all around me, who don't see your name on the list, who will not let you in here looking like that, who will hold you in a cold, hard, unflinching stare or back hand compliment you until you cry. If you even had the courage to ask me out you would have to do it by mail, sent months in advance, on a single 5×7 sheet of eggshell vellum, signed in blood and sealed in gold and scented with a light mist of the new fragrance by Alan Cumming, just so I could throw it away without becoming repulsed.

 
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And death was a soft thing, soft and black, cool and sweet and gracious. He slipped into it as a swimmer slips into the surf and it closed over him and held him and he felt the pulse and beat of it and knew the vastness and sureness of it.

 
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