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...talent and genius operate outside the rules, and theory conflicts with practice.

 

Carl von Clausewitz

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Universality is the distinguishing mark of genius. There is no such thing as a special genius, a genius for mathematics, or for music, or even for chess, but only a universal genius. ... The theory of special genius, according to which for instance, it is supposed that a musical genius should be a fool at other subjects, confuses genius with talent. ... There are many kinds of talent, but only one kind of genius, and that is able to choose any kind of talent and master it.

 

Otto Weininger

 

If there be anything in a remark often to be met with, namely that there is, in the genius of the people of this country, a peculiar aptitude for mechanic improvements, it would operate as a forcible reason for giving opportunities to the exercise of that species of talent, by the propagation of manufactures.

 

Alexander Hamilton

 

At the center of the discussion of the nature of practical theology is the issue of the relation of theory to praxis. If theory precedes and determines practice, then practice tends to be concerned primarily with methods, techniques and strategies for ministry, lacking theological substance. If practice takes priority over theory, ministry tends to be based on pragmatic results rather than prophetic revelation … Barth, from the beginning, resisted all attempts to portray theory and praxis in opposition to one another. In his early Church Dogmatics he described any distinction between “theoretical” and “practical” as a “primal lie, which has to be resisted in principal”. The understanding of Christ as the light of life can be understood only as a “theory which has its origin and goal in praxis”.

 

Karl Barth

 

"I drove a golf ball 572 yards. Longest drive ever. I remember one time I was at Augusta, the guys were getting ready for the Masters. Tiger Woods, walking out to hit a bucket of balls. I looked at him and I said, 'Man, that's all you ever do is practice. Practice, practice, practice.' Tiger looked at me and he goes, 'Well if I had your talent, Nash, I wouldn't have to practice so much.'"

 

Kevin Nash

 

We hated Bauhaus. It was a bad time in architecture. They just didn’t have any talent. All they had were rules. Even for knives and forks they created rules. Picasso would never have accepted rules. The house is like a machine? No! The mechanical is ugly. The rule is the worst thing. You just want to break it.

 

Oscar Niemeyer