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The part which Corporal York individually played in this attack (the capture of the Decauville Railroad) is difficult to estimate. Practically unassisted, he captured 132 Germans (three of whom were officers), took about thirty-five machine guns, and killed no less than twenty-five of the enemy, later found by others on the scene of York's extraordinary exploit.
This story has been carefully checked in every possible detail from headquarters of this division and is entirely substantiated.
Although York's statement tends to underestimate the desperate odds which he overcame, it has been decided to forward to higher authority the account given in his own name.
The success of this assault had a far reaching effect in relieving the enemy pressure against American forces in the heart of the Argonne Forest.
--
Official report made by officers of the Eighty-Second Division to General Headquarters (1918)

 

Alvin C. York

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"To tread down the sword" is a principle often used in strategy. First, in large-scale strategy, when the enemy first discharges bows and guns and then attacks, it is difficult for us to attack if we are busy loading powder into our guns or notching our arrows. The spirit is to attack quickly while the enemy is still shooting with bows or guns. The spirit is to win by "treading down" as we receive the enemy's attack.
In single combat, we cannot get a decisive victory by cutting, with a "tee-dum tee-dum" feeling, in the wake of the enemy's attacking long sword. We must defeat him at the start of his attack, in the spirit of treading him down with the feet, so that he cannot rise again to the attack.

 

Miyamoto Musashi

 

Caught by the enemy in the cove of a hill in the Forest of Argonne, he did not run; but sank into the bushes and single-handed fought a battalion of German machine gunners until he made them come down that hill to him with their hands in air. There were one hundred and thirty-two of them left, and he marched them, prisoners, into the American line.
Marshal Foch, in decorating him, said, "What you did was the greatest thing accomplished by any private soldier of all of the armies of Europe."

 

Alvin C. York

 

New York, New York. Big city of dreams, but everything in New York ain't always what it seems. Last Twitter posting by DJ AM (August 25, 2009)

 

Adam Goldstein

 

The scenery and costumes of 'The Wizard of Oz' were all made in New York — Mr. Mitchell was a New York favorite, but the author was undoubtedly a Chicagoan, and therefore a legitimate butt for the shafts of criticism. So the critics highly praised the Poppy scene, the Kansas cyclone, the Scarecrow and the Tin Woodman, but declared the libretto was very bad and teemed with 'wild and woolly western puns and forced gags.' Now, all that I claim in the libretto of 'The Wizard of Oz' is the creation of the characters of the Scarecrow and the Tin Woodman, the story of their search for brains and a heart, and the scenic effects of the Poppy Field and the cyclone. These were a part of my published fairy tale, as thousands of readers well know. I have published fifteen books of fairy tales, which may be found in all prominent public and school libraries, and they are entirely free, I believe, from the broad jokes the New York critics condemn in the extravaganza, and which, the New York people are now laughing over. In my original manuscript of the play were no 'gags' nor puns whatever. But Mr. Hamlin stated positively that no stage production could succeed without that accepted brand of humor, and as I knew I was wholly incompetent to write those 'comic paper side-splitters' I employed one of the foremost New York 'tinkerers' of plays to write into my manuscript these same jokes that are now declared 'wild and woolly' and 'smacking of Chicago humor.' If the New York critics only knew it, they are praising a Chicago author for the creation of the scenic effects and characters entirely new to the stage, and condemning a well-known New York dramatist for a brand of humor that is palpably peculiar to Puck and Judge. I am amused whenever a New York reviewer attacks the libretto of 'The Wizard of Oz' because it 'comes from Chicago.'"

 

L. Frank Baum

 

I don't know whether it was the German major, but one yelled something out in German that we couldn't understand. And then the machine guns on top swung around and opened fire on us. There were about thirty of them. They were commanding us from a hillside less than thirty yards away. They couldn't miss. And they didn't!
They killed all of Savage's squad; they got all of mine but two; they wounded Cutting and killed two of his squad; and Early's squad was well back in the brush on the extreme right and not yet under the direct fire of the machine guns, and so they escaped. All except Early. He went down with three bullets in his body. That left me in command. I was right out there in the open.
And those machine guns were spitting fire and cutting down the undergrowth all around me something awful. And the Germans were yelling orders. You never heard such a racket in all of your life. I didn't have time to dodge behind a tree or dive into the brush, I didn't even have time to kneel or lie down.
I don't know what the other boys were doing. They claim They didn't fire a shot. They said afterwards they were on the right, guarding the prisoners. And the prisoners were lying down and the machine guns had to shoot over them to get me. As soon as the machine guns opened fire on me, I began to exchange shots with them.

 

Alvin C. York