I've been told I sound like I'm out of an old movie; that perhaps I'm faking my voice, that it's nice, that it's not nice — all kinds of things. Well it's my voice. The only thing I can think of is sometimes you're in one mood or another mood, and so maybe it sounds a little different, but I've always spoken this way — and I'm trying to sound pleasant — I hope it does sound pleasant, but that's about it.
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"ysabellabravetalk #1" (9 March 2007)Ysabella Brave
» Ysabella Brave - all quotes »
Attention involves seeing and hearing. We hear not only with our ears but also we are sensitive to the tones, the voice, to the implication of words, to hear without interference, to capture instantly the depth of a sound. Sound plays an extraordinary part in our lives: the sound of thunder, a flute playing in the distance, the unheard sound of the universe; the sound of silence, the sound of one’s own heart beating; the sound of a bird and the noise of a man walking on the pavement; the waterfall. The universe is filled with sound. This sound has its own silence; all living things are involved in this sound of silence. To be attentive is to hear this silence and move with it.
Jiddu Krishnamurti
We have also sound houses, where we practice and demonstrate all sounds and their generation. We have harmonies which you have not, of quarter sounds and lesser slides of sounds. Divers instruments of music likewise to you unknown, some sweeter than any you have; together with bells and rings that are dainty and sweet. We represent small sounds as great and deep; likewise divers trembling and warblings of sounds, which in their original are entire. We represent and imitate all articulate sounds and letters, and the voices of beasts and birds. We have certain helps which set to the ear to do further the hearing greatly. We have also divers strange and artificial echoes, reflecting the voice many times, and as if it were tossing it; and some that give back the voice louder than it came, some shriller and some deeper; yea, some rendering the voice, differing in the letters or articulate sound from that they receive. We have also means to convey sounds in tubes and pipes, in strange lines and distances...
Francis Bacon
They say, "you mean it's just sounds?" thinking that for something to just be a sound is to be useless, whereas I love sounds just as they are, and I have no need for them to be anything more than what they are. I don't want them to be psychological. I don't want a sound to pretend that it's a bucket or that it's president or that it's in love with another sound. I just want it to be a sound.
John Cage
We started out in the middle ages creating music which had certain desirable physical properties (for example, a major chord sounds "nice" because the frequencies are in integer ratios to each other). And then as society evolved, we created these emotional contexts for certain instruments and progressions. Major-chord arpeggios sound "happy", minor chords sound "sad", chromatic scales can sound "scary", et cetera. In the 20th century, film soundtracks reinforced this point as people associated certain kinds of music with certain visual and emotional experiences. It's a giant feedback loop, really; once you grow up in a given culture, it leaves this musical fingerprint on you which colors your experiences.
Andrew Sega
Vocally is where I see him as this great synthesiser of American traditions; his voice is something of a shape shifter, it can sound high and mournful and soulful, and he can also sound like a preacher, or be quite gruff, or be a sweet crooner; it’s not the tone, it’s the technique, like he had to adopt all these other techniques and put them together to make something extraordinary; the reason there are so many Elvis impersonators is because the voice is undoable – it’s a mystery.
Elvis Presley
Brave, Ysabella
Brazile, Donna
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