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I have learned one thing. As Woody says, "Showing up is 80 percent of life." Sometimes it’s easier to hide home in bed. I’ve done both.
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1977 August 21, New York Times, Section 2: Arts and Leisure, He’s Woody Allen’s Not-So-Silent Partner by Susan Braudy, Page 11 (ProQuest Page 83), New York.
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Woody Allen later wrote in a letter: My observation was that once a person actually completed a play or a novel he was well on his way to getting it produced or published, as opposed to a vast majority of people who tell me their ambition is to write, but who strike out on the very first level and indeed never write the play or book.
--
In the midst of the conversation, as I’m now trying to recall it, I did say that 80 percent of success is showing up.
--
1989 August 13, New York Times, On Language: The Elision Fields by William Safire

 

Woody Allen

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I made the statement years ago which is often quoted that 80 percent of life is showing up. People used to always say to me that they wanted to write a play, they wanted to write a movie, they wanted to write a novel, and the couple of people that did it were 80 percent of the way to having something happen. All the other people struck out without ever getting that pack. They couldn’t do it, that’s why they don’t accomplish a thing, they don’t do the thing, so once you do it, if you actually write your film script, or write your novel, you are more than half way towards something good happening. So that I was say my biggest life lesson that has worked. All others have failed me.

 

Woody Allen

 

On the bus going home I heard a most fascinating conversation between an old man and woman. "What a thing, though," the old woman said. "You'd hardly credit it." "She's always made a fuss of the whole family, but never me," the old man said. "Does she have a fire when the young people go to see her?" "Fire?" "She won't get people seeing her without warmth." "I know why she's doing it. Don't think I don't," the old man said. "My sister she said to me, 'I wish I had your easy life.' Now that upset me. I was upset by the way she phrased herself. 'Don't talk to me like that,' I said. 'I've only got to get on the phone and ring a certain number,' I said, 'to have you stopped.'" "Yes," the old woman said, "And you can, can't you?" "Were they always the same?" she said. "When you was a child? Can you throw yourself back? How was they years ago?" "The same," the old man said. "Wicked, isn't it?" the old woman said. "Take care, now" she said, as the old man left her. He didn't say a word but got off the bus looking disgruntled.

 

Joe Orton

 

"You guessed? You must have been pretty sure, considering you could have killed me."
"I was ninety percent sure."
"I see," Clary said.
There must have been something in her voice, because he turned to look at her. Her hand cracked across his face, a slap that rocked him back on his heels. He put his hand to his cheek, more in surprise than pain. "What the hell was that for?"
"The other ten percent."

 

Cassandra Clare

 

I remember one clear example of the problem of communicating what is to be learned. You may have heard of or gone through a similar experience with a student or your child. Years ago, the child of a friend whom I was visiting arrived home from his day at school, all excited about something he had learned. He was in the first grade and his teacher had started the class on reading lessons. The child, Gary, announced that he had learned a new word. "That's great, Gary," his mother said. "What is it?" He thought for a moment, then said, "I'll write it down for you." On a little chalkboard the child carefully printed, HOUSE. "That's fine, Gary," his mother said. "What does it say?" He looked at the word, then at his mother and said matter-of-factly, "I don't know."

 

Betty Edwards

 

I remember the night he wrote the song "Tom Joad." He said, "Pete, do you know where I can get a typewriter?"
I said, "I'm staying with someone who has one."
"Well, I got to write a ballad," he said. "I don't usually write ballads to order, but Victor wants me to do a whole album of Dust Bowl songs, and they say they want one about Tom Joad in The Grapes of Wrath." ... Woody had a half-gallon jug of wine with him, sat down and started typing away. He would stand up every few seconds and test out a verse on his guitar and sit down and type some more. About one o'clock my friend and I got so sleepy we couldn't stay awake. In the morning we found Woody curled up on the floor under the table; the half gallon of wine was almost empty and the completed ballad was sitting near the typewriter.
And it is one of his masterpieces.

 

Woody Guthrie