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We shape our buildings, and afterwards our buildings shape us.
--
Speech to the House of Commons (October 28, 1943), on plans for the rebuilding of the Chamber (destroyed by an enemy bomb May 10, 1941), in Never Give In! : The best of Winston Churchill’s Speeches (2003), Hyperion, p. 358 ISBN 1401300561

 

Winston Churchill

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Taliesin

 

The elm and the ash... when put in shape for use in buildings... are tough and having no stiffness... soon bend. But when they become dry with age, or are allowed to lose their sap... they get harder, and from their toughness supply a strong material for dowels to be used in joints and other articulations.

 

Vitruvius

 

The reason I don't worry about society is, nineteen people knocked down two buildings and killed thousands. Hundreds of people ran into those buildings to save them. I'll take those odds every f**king day.

 

Jon Stewart

 

"With Pearl Harbour I think our people know full well it was coming. They always have a cover story, of course. [.....] They knew full well Pearl Harbour was going to be bombed. [....] They wanted that to bring us into the war. So I think people wanted very much something like 9-11. Whether those specific buildings or not, I don't know. A lot of shady stuff, like the buildings, I understand, were sold or something or insurance policies taken out, you know, just a few weeks before that. Buildings that hold 50,000 people only had, you know, 3000 killed. Lot of folks were told not to come to work. Somebody knew what was going on."

 

Kent Hovind

 

For the first time since I had been in Barcelona I went to have a look at the cathedral--a modern cathedral, and one of the most hideous buildings in the world. It has four crenellated spires exactly the shape of hock bottles. Unlike most of the churches in Barcelona it was not damaged during the revolution--it was spared because of its 'artistic value', people said. I think the Anarchists showed bad taste in not blowing it up when they had the chance, though they did hang a red and black banner between its spires.

 

Antonio Gaudi