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You played and sang a snatch of song,
A song that all-too well we knew;
But whither had flown the ancient wrong;
And was it really I and you?
O, since the end of life's to live
And pay in pence the common debt,
What should it cost us to forgive
Whose daily task is to forget?
--
XV

 

William Ernest Henley

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This is the song of the men who have no place, played by a man who has never had a place, and can therefore play it. Listen to it. You know this song, remember? This is the song you close your ears to every night, so you can sleep. This is the song you drink five martinis every evening not to hear. This is the song of the Great Loneliness, that creeps in the desert wind and dehydrates the soul. This is the song you'll listen to on the day you die. When you lay there in bed and sweat it out, you know that all the doctors and nurses and weeping friends don't mean a thing and can't help you any, can't save you one small bitter taste of it, because you are the one that's dying and not them; when you wait for it to come and know the sleep will not evade it and martinis will not put it off and conversation will not circumvent it and hobbies will not help you to escape it; then you will hear this song and remembering, recognize it. This song is Reality. Remember? Surely you remember?

 

James Jones

 

His mother taught him to sing. And when he had grown up and had listened to the world's song, he felt that there could be no greater happiness than to return to her song. In her song dwelt the most precious and most incomprehensible dreams of mankind. The heath grew into the heavens in those days. The songbirds of the air listened in wonder to this song, the most beautiful song of life.

 

Halldor Laxness

 

God was not to him the impassive Creator, a Nero from his tower of brass watching the burning of the City to which he himself has set fire. God was fighting. God was suffering. Fighting and suffering with all who fight and for all who suffer. For God was Life, the drop of light fallen into the darkness, spreading out, reaching out, drinking up the night. But the night is limitless, and the Divine struggle will never cease: and none can know how it will end. It was a heroic symphony wherein the very discords clashed together and mingled and grew into a serene whole! Just as the beech-forest in silence furiously wages war, so Life carries war into the eternal peace.
The wars and the peace rang echoing through Christophe. He was like a shell wherein the ocean roars. Epic shouts passed, and trumpet calls, and tempestuous sounds borne upon sovereign rhythms. For in that sonorous soul everything took shape in sound. It sang of light. It sang of darkness, sang of life and death. It sang for those who were victorious in battle. It sang for himself who was conquered and laid low. It sang. All was song. It was nothing but song.

 

Romain Rolland

 

With Moondance, I wrote the melody first. I played the melody on a soprano sax and I knew I had a song so I wrote lyrics to go with the melody. That's the way I wrote that one. I don't really have any words to particularly describe the song, sophisticated is probably the word I'm looking for. For me, Moondance is a sophisticated song. Frank Sinatra wouldn't be out of place singing that.

 

Van Morrison

 

He sang of love, with quiet blending,
Slow to begin, and never ending;
Of serious faith, and inward glee;
That was the song,— the song for me!

 

William Wordsworth