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"Equivalence signifies uniformity and thus immobility."
--
Implosion Magazine, No. 113, p. 23 (Callum Coats: Energy Evolution (2000))

 

Viktor Schauberger

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The strongest bulwark of authority is uniformity; the least divergence from it is the greatest crime. The wholesale mechanisation of modern life has increased uniformity a thousandfold. It is everywhere present, in habits, tastes, dress, thoughts and ideas. Its most concentrated dullness is "public opinion." Few have the courage to stand out against it. He who refuses to submit is at once labelled "queer," "different," and decried as a disturbing element in the comfortable stagnancy of modern life.

 

Emma Goldman

 

Likewise, they call it "Chaos," which is Hesiod's first generator, because Chaos gives rise to everything else, as the monad does. It is also thought to be both "mixture" and "blending," "obscurity" and "darkness" thanks to the lack of articulation and distinction of everything which ensues from it.
Anatolius says that it is called "matrix" and "matter," on the grounds that without it there is no number.
The mark which signifies the monad is the source of all things.

 

Iamblichus of Chalcis

 

Perhaps even more than constituted authority, it is social uniformity and sameness that harass the individual most. His very "uniqueness," "separateness" and "differentiation" make him an alien, not only in his native place, but even in his own home. Often more so than the foreign born who generally falls in with the established.

 

Emma Goldman

 

Moral equivalence is a term of propaganda that was invented to try to prevent us from looking at the acts for which we are responsible. [...] There is no such notion. There are many different dimensions and criteria. For example, there's no moral equivalence between the bombing of the World Trade Center and the destruction of Nicaragua or of El Salvador, of Guatemala. The latter were far worse, by any criterion. So there's no moral equivalence.

 

Noam Chomsky

 

He believed that, in order to produce art that signifies at the exalted level he envisaged, the painter must develop the "eyes of the soul and spirit as well as the body." Moreau associated this inner vision with the predominant role of the imagination; following current ideas, he apparently connected this faculty with "psychological penetration" and the unconscious.... Moreau wrote that his "greatest effort" was devoted to directing his imaginative energies, to channeling "this outpouring of oneself."

 

Gustave Moreau