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Vernon Howard

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Bitterness is the outcome of a wrong mental movement - the attempt to force external events to conform to internal fantasy. The cure is to see fantasy as fantasy, which will reveal it as neither necessary nor rewarding.

 
Vernon Howard

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You always start with a fantasy. Part of the fantasy technique is to visualize something as perfect. Then with the experiments you work back from the fantasy to reality, hacking away at the components.

 
Edwin H. Land
 

I don't find fantasy to be more or less suited to philosophical questions than any other genre, really. I think that the soul of fantasy—or second-world fantasy at least—is our problematic relationship with nostalgia. The impulse to return to a golden age seems to be pretty close to the bone, at least in western cultures, and I wouldn't be at all surprised if it's a human universal. For me, it's tied up with the experience of aging and the impulse to recapture youth. Epic fantasy, I think, takes its power from that. We create golden eras and either celebrate them or—more often—mourn their loss.

 
Daniel Abraham
 

The dynamic principle of fantasy is play, a characteristic also of the child, and as such it appears inconsistent with the principle of serious work. But without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of imagination is incalculable. It is therefore short-sighted to treat fantasy, on account of its risky or unacceptable nature, as a thing of little worth.

 
Carl Jung
 

I have said that His Dark Materials is not fantasy but stark realism, and my reason for this is to emphasise what I think is an important aspect of the story, namely the fact that it is realistic, in psychological terms. I deal with matters that might normally be encountered in works of realism, such as adolescence, sexuality, and so on; and they are the main subject matter of the story — the fantasy (which, of course, is there: no-one but a fool would think I meant there is no fantasy in the books at all) is there to support and embody them, not for its own sake.

 
Philip Pullman
 

The poet is in command of his fantasy, while it is exactly the mark of the neurotic that he is possessed by his fantasy.

 
Lionel Trilling
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