When I was a little kid, I took tap and ballet. I've always loved to dance. I'm a rhythm machine.
Tommy Lee
"Fire is the first and final mask of my God. We dance and weep between two enormous pyres."
Our thoughts and our bodies flash and glitter with reflected light. Between the two pyres I stand serenely, my brain unshaken amid the vertigo, and I say:
"Time is most short and space most narrow between these two pyres, the rhythm of this life is most sluggish, and I have no time, nor a place to dance in. I cannot wait."
Then all at once the rhythm of the earth becomes a vertigo, time disappears, the moment whirls, becomes eternity, and every point in space — insect or star or idea — turns into dance.Nikos Kazantzakis
At its most basic, Mr. Astaire's technique has three elements - tap, ballet and ballroom dancing. The ballet training, by his account, was brief but came at a crucial, early age. He has sometimes been classed as a tap dancer, but he was never the hoofer he has jokingly called himself. Much of the choreographic outline of his dancing with his ladies—be it Miss Rogers or Miss Hayworth—is ballroom. But of course, no ballroom dancer could dance like this.
Fred Astaire
Cricket is first and foremost a dramatic spectacle. It belongs with theatre, ballet, opera and the dance.
C. L. R. James
Perhaps the greatest personality who has ever devoted herself to developing the art of the dance … Her interests ranged over a wide field of activities. There was a time when she wished to initiate a reform of human life in its least details of costume, of hygiene, of morals. But gradually she came to concentrate her interest upon the dance. For her the dance is not merely the art which permits the spirit to express itself in movement; it is the base of a whole conception of life, a life flexible, harmonious, natural. In the development of the dance she found herself confronted by the dilemma which has just been alluded to. On the one hand was the limited technique of the ballet, on the other the unnatural contortions of the eccentric school. To return to the unconscious gesture of the people — that is to say, the crude, stereotyped gestures of the street — offered no way of escape. She found the solution in a return to the natural gesture of human life as represented in Greek art.
Isadora Duncan
This latest skirmish in the high art/low art war has played out most fiercely over Mr. Tidwell, who shocked balletomanes when he left American Ballet Theater in 2005, then added insult to injury by joining the third season of “So You Think You Can Dance.”
Danny Tidwell
Lee, Tommy
Leech-Wilkinson, Daniel
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