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Thomas Mann

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What was it that drove these thousands into the arms of his art — what but the blissfully sensuous, searing, sense-consuming, intoxicating, hypnotically caressing, heavily upholstered — in a word, the luxurious quality of his music?

 
Thomas Mann

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Two sensuous lovers are not two friends. Much rather are they two enemies, closely attached to each other. I know it, I know it! There are perfect couples, no doubt — perfection always exists somewhere — but I mean us others, all of us, the ordinary people! I know! — the human being's real quality, the delicate lights and shadows of human dreams, the sweet and complicated mystery of personalities, sensuous lovers deride them, both of them! They are two egoists, falling fiercely on each other. Together they sacrifice themselves, utterly in a flash of pleasure.

 
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Quality is free, but only to those who are willing to pay heavily for it.

 
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It’d be great if the record industry wasn’t completely falling apart and people’s interest in music wasn’t totally disappearing. It’s sad on a cultural level. Not even from the perspective of being in a band, just as a fan. It’s heartbreaking to see how little music means to people in modern times. And people say, “No, no, no — music means more than ever before! People are consuming music at a greater rate!” Well, that doesn’t mean anything, that’s just a statistic. ?All that’s saying is that people are downloading music more than before. That doesn’t mean that they’re listening to it, that they know anything about it, or that they’re going to see it.

 
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The fate of a single man can be rich with significance, that of a few hundred less so, but the history of thousands and millions of men does not mean anything at all, in any adequate sense of the word.

 
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That the sweetly intoxicating three-four rhythm which took hold of hand & foot, necessarily eclipsed great & serious music & made the audience unfit for any intellectual effort goes without saying.

 
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