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Theodor Adorno

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Jazz is the false liquidation of art — instead of utopia becoming reality it disappears from the picture.
--
Perennial fashion — Jazz, as quoted in The Sociology of Rock (1978) by Simon Frith by Simon Frith

 
Theodor Adorno

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Mannheim notes that utopia not only shares with ideology a noncongruence with reality, but that utopia offers a perspective critical of the given reality, thus exposing the gap between what is and an ideal of what should be. Utopia, in challenging the existing order, is always a projection into possible futures; whereas, ideology, in legitimating the existing order, is directed toward perpetuating the past. Utopia tends to be the tool of social groups seeking ascendancy; while ideology tends to be the tool of dominant groups seeking to assuage their own sense of failing and justify the inadequacy of the status quo. Ideology and utopia are about power.

 
Karl Mannheim
 

Correct me if I'm wrong here, but truth is something that arises out of the relationship between language and the world. If I look at a picture alone, it tells me nothing. In the previous incarnation of this lecture, I was going to put a picture of the Titanic and the Lusitania up on the screen. They look very, very similar - four smokestacks. They look almost identical. You look at either picture, true or false? Neither. Put a caption at the bottom of one of them, that changes everything. If you put in the caption, "This is the Lusitania," and the picture is a picture of the Lusitania, then the caption is true. However, the picture itself is neither true nor false. It's just a picture.

 
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Whether it manifests as creation or disappears into Oneness of Reality, whether it is experienced as existing and real, or is perceived to be false and nonexistent, illusion throughout is illusion. There is no end to it, just as there is no end to imagination.

 
Meher Baba
 

When jazz is played in another nation, it is called American. When it is played in another country, it sounds false. Jazz is the result of the energy stored up in America.

 
George Gershwin
 

Good jazz is when the leader jumps on the piano, waves his arms, and yells. Fine jazz is when a tenorman lifts his foot in the air. Great jazz is when he heaves a piercing note for 32 bars and collapses on his hands and knees. A pure genius of jazz is manifested when he and the rest of the orchestra run around the room while the rhythm section grimaces and dances around their instruments.

 
Charles Mingus
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