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Next comes the realist phase ("After all, from a purely geometrical point of view a cat is only a tube with a door at the top.").
--
About giving a cat a pill

 

Terry Pratchett

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In my use of the camera, I work to make images that go beyond, and even undermine, the conventions of "point of view." Such images transcend the limitation that would seem to be inherent in the photographic mechanism (or "point-of-view machine"). They allow the viewer to see and feel the "room"—or the world, or reality—as it is, beyond the ego’s self-reference. And such images thereby become a non-verbal means of "picturing" the essential human process of ego-transcendence—going beyond the fixed "point of view" of the ego, or the core presumption of separateness

 

Adi Da

 

Fundamentally, our Lord's message was Himself. He did not come merely to preach a Gospel; He himself is that Gospel. He did not come merely to give bread; He said, "I am the bread". He did not come merely to shed light; He said, "I am the light". He did not come merely to show the door; He said, "I am the door". He did not come merely to name a shepherd; He said, "I am the shepherd". He did not come merely to point the way; He said, "I am the way, the truth, and the life".

 

J. Sidlow Baxter

 

"Sir Isaac Newton, renowned inventor of the milled-edge coin and the catflap!"
"The what?" said Richard.
"The catflap! A device of the utmost cunning, perspicuity and invention. It is a door within a door, you see, a ..."
"Yes," said Richard, "there was also the small matter of gravity."
"Gravity," said Dirk with a slightly dismissed shrug, "yes, there was that as well, I suppose. Though that, of course, was merely a discovery. It was there to be discovered." ...
"You see?" he said dropping his cigarette butt, "They even keep it on at weekends. Someone was bound to notice sooner or later. But the catflap ... ah, there is a very different matter. Invention, pure creative invention. It is a door within a door, you see."

 

Douglas Adams

 

She spent the afternoon staring at their front door. "Waiting for someone?" Yankel asked. "What color is this?" He stood very close to the door, letting the end of his nose touch the peephole. He licked the wood and joked, "It certainly tastes like red." "Yes, it is red, isn't it?" "Seems so." She buried her head in her hands. "But couldn’t it be just a bit more red?" (pp. 79-80)

 

Jonathan Safran Foer

 

One time me and three friends dropped acid and drove around in my dad's car. He has one of those talking cars, we're tripping, and the car goes, "The door is ajar." We pulled over and thought about that for 12 hours. "How can a door be a jar?" … "Why would they put a jar on a car?" … "Oh man, the freeway's melting!" … "Put it in the jar."

 

Bill Hicks