Sontag's cool exile was a disaster for the American women's movement. Only a woman of her prestige could have performed the necessary critique and debunking of the first instant-canon feminist screeds, such as those of Kate Millett or Sandra Gilbert and Susan Gubar, whose middlebrow mediocrity crippled women's studies from the start. No patriarchal villains held Sontag back; her failures are her own.
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Camille Paglia, "Sontag, Bloody Sontag" in Tramps and Vamps (1994) NY:Vintage.Susan Sontag
Do women need sovereignty—not only over their own bodies as currently understood in the United States ...; but control of a boundary further away from their bodies, a defended boundary? Do women need land and an army ...; or a feminist government in exile ...? Or is it simpler: the bed belongs to the woman; the house belongs to the woman; any land belongs to the woman; if a male intimate is violent he is removed from the place where she has the superior and inviolate claim, arrested, denied parole, and prosecuted. .... Could women "set a high price on our blood"? Could women set any price on our blood? Could women manage self-defense if not retaliation? Would self-defense be enough? Could women execute men who raped or beat or tortured women? .... [¶] .... Could the acts of women in behalf of women ... have a code of honor woman-to-woman that weakens the male-dominant demands of nationalism or race-pride or ethnic pride? Could women commit treason to the men of their own group: put women first, even the putative enemy women? Do women have enough militancy and self-respect to see themselves as the central makers of legal codes, ethics, honor codes, and culture?
Andrea Dworkin
The 1990s brought a widespread backlash against this rigid feminist orthodoxy [in American academia]. For many, it was personified by Camille Paglia, a professor at an obscure university in Philadelphia, who, in her 1990 book Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, as well as in scores of essays and interviews, dismissed women’s contributions to Western culture (“There are no female Mozarts”) and mocked the “weepy, whiny, white middle-class ideology” of the “Stalinist” feminist movement under Gloria Steinem, which Paglia reviled for its intellectual vacuity, sexual puritanism, and hostility to men -- not to mention its obsessive victim mentality, which, in her view, only served to reinforce Victorian stereotypes. For Paglia, women, far from being the weaker sex, were gifted by nature with an innate power over men -- the power of sex. […] The feminist establishment, however, chose not to learn from but to vilify Paglia and company. And Women’s Studies, unable to answer them, all but ignored them.
Camille Paglia
I'm absolutely a feminist. The reason other feminists don't like me is that I criticize the movement, explaining that it needs a correction. Feminism has betrayed women, alienated men and women, replaced dialogue with political correctness. PC feminism has boxed women in. The idea that feminism — that liberation from domestic prison — is going to bring happiness is just wrong. Women have advanced a great deal, but they are no happier. The happiest women I know are not those who are balancing their careers and families, like a lot of my friends are. The happiest people I know are the women — like my cousins — who have a high school education, got married immediately graduating and never went to college. They are very religious and they never question their Catholicism. They do not regard the house as a prison. … I look at my friends who are on the fast track. They are desperate, frenzied and frazzled, the most unhappy women who have ever existed. They work nights and weekends and have no lives. Some of them have children who are raised by nannies. … The entire feminist culture says that the most important woman is the woman with an attache case. I want to empower the woman who wants to say, "I'm tired of this and I want to go home." The far right is correct when it says the price of women's liberation is being paid by the children.
Camille Paglia
Women's studies needed a syllabus and so invented a canon overnight. It puffed up clunky, mundane contemporary women authors into Oz-like, skywriting dirigibles. Our best women students are being force-fed an appalling diet of cant, drivel and malarkey.
Camille Paglia
Sontag, Susan
Sophocles
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