Doris Lessing: We simply have no idea of Chicago ... We never think of you as being on a lake, or of the city being beautiful. We think about the gangsters. You do still have gangsters, don't you?
Terkel: Yes, but these days they're mostly in business, or politics.
--
Conversation with Lessing in 1969, quoted in "Doris Lessing comes to town" (15 October 1969) by Roger EbertStuds Terkel
Doris Lessing was nothing less than the goddess of literature herself for young women like myself aspiring to write in the 1970s. Her classic, The Golden Notebook, directly addressed the contradictions in women's lives in a way that was sophisticated, insightful and dispassionate.... When I started writing novels in the early 1980s, I often felt pressure from women to depict wholesome female role models. The pressure never worked, partly because Doris Lessing had gone before and blazed a path for all of us as readers, as women, as people.
Doris Lessing
I use the term "Communist Jews" in exactly the same sense that I would say "Italian gangsters." Most Italians are not gangsters, but everybody knows that the Mafia is mostly Italians. Well, my experience is that communism is as Jewish as the Mafia is Italian. It's a fact that almost all of the convicted spies for communism have been atheist Jews like the Rosenbergs. And international communism was invented by the Jew Karl Marx and has since been led mostly by Jews - like Trotsky.
George Lincoln Rockwell
What do you mean "gangsters"? It's business.
Abraham Polonsky
She might well wonder what took them so long. Doris Lessing is the ideal winner of the Nobel Prize. After all, the prize is about idealism, and was founded in the belief that writers can make the world a better place.
Lessing can depict the world as a terrible place, peopled by terrorists, in which the women can be as violent as the men, and war can describe the planet entirely.
But she never abandons the hope that the planet can be better, even if she has to imagine other planets to show how this is possible.Doris Lessing
Terkel has built a career on the hunch that pretty much everyone might be worth trying to talk to: the rich and famous, certainly, and burglars and murderers and Ku Klux Klansmen — but most of all the teeming, unexamined mass of American life in between. Armed with a tape recorder, he has interviewed hundreds of people, producing a series of books that tell the story of the American century verbatim, and from the ground up: day-labourers, poor farmers and gangsters for Hard Times, his book about the Depression; everyone from steelworkers to hookers for Working, about the realities of employment in America; and his Pulitzer Prize-winning chronicle of the second world war, The Good War. They are the sound of a nation spontaneously unburdening itself to the first person who had thought to ask.
Studs Terkel
Terkel, Studs
Terman, Frederick
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