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Stephen Spender

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What the eye delights in, no longer dictates
My greed to enjoy: boys, grass, the fenced-off
deer.
It leaves those figures that distantly play
On the horizon's rim: they sign their peace, in games.
--
"Experience"

 
Stephen Spender

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Indeed, one of the most cruel games anyone can play with self is the "not yet" game—hoping to sin just a bit more before ceasing; to enjoy the praise of the world a little longer before turning away from the applause; to win just once more in the wearying sweepstakes of materialism; to be chaste, but not yet; to be good neighbors, but not now. One can play upon the harp-strings of hesitations and reservations just so long, and then one faces that special moment—a moment when what has been sensed, mutely, suddenly finds voice and cries out with tears, "Lord, I believe; help thou mine unbelief." (Mark 9:24)

 
Neal A. Maxwell
 

I am certain that there are two things in life which are dependable -- the delights of the flesh and the delights of literature. I have had the good fortune to bring them together and enjoy them together in full quantity.

 
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He dreamt that night that he rode through the woods on a low ridge. Below him he could see deer in a meadow where the sun fell on the grass. The grass was still wet and the deer stood in it to their elbows. He could feel the spine of the mule rolling under him and he gripped the mule's barrel with his legs. Each leaf that brushed his face deepened his sadness and dread. Each leaf he passed, he'd never pass again. They rode over his face like veils, already some yellow, their veins slender like bones where the sun shone through them. He had resolved himself to ride on for he could not turn back and the world that day was as lovely as any day ever was and he was riding to his death.

 
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In the last sweep of love, they pass over fields
Behind the aerodrome, where boys play all day
Hacking dead grass: whose cries, like wild birds
Settle upon the nearest roofs
But soon are hid under the loud city.

 
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Do you think it interests me that this painting represents two figures? These two figures existed, they exist no more. The sight of them gave me an initial emotion, little by little their real presence grew indistinct they became a fiction for me, then they disappeared, or rather, were turned into problems of all kinds. For me they are no longer two figures but shapes and colours, don’t misunderstand me, shapes and colours, though, that sum up the idea of the two figures and preserve the vibration of their existence.

 
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