It is a loose book, impressionistic, hardly coherent as a continuous narrative. It is full of descriptions of court life, and the retelling of court gossip and descriptions of fashionable shrines and how to get there by the most elegant means. It is a piece of writing replete with those typical Japanese wistful and melancholic evocations of ephemerality. It was written a thousand years ago almost exactly to the year the film was made, and it was written by a woman. To be literate a thousand years ago in the West was pretty uncommon; to be literate and a woman, very unlikely; to be literate, female, and quite brilliant, a well-nigh Western impossibility.
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Peter Greenaway on The Pillow Book in "105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.Sei Shonagon
I read it for the first time in about 20 years this year–-recently. It wasn't so bad. I get it. I get fan mail now from people who weren't really born yet when the book came out. I don't think it's a perfect book by any means, but it's valid. I get where it comes from. I get what it is. I know that sounds so ambiguous. It's sort of out of my hands and it has its reputation so what can you do about it? There's a lot of it that I wish was slightly more elegantly written. Overall, I was pretty shocked. It was pretty good writing for someone who was 19. I was pretty surprised by the level of writing.
Bret Easton Ellis
In the course of my twenty years career as an assailant of special privilege, I have attacked pretty nearly every important interest in America. The statements I have made, if false, would have been enough to deprive me of a thousand times all the property I ever owned, and to have sent me to prison for a thousand times a normal man's life. I have been called a liar on many occasions, needless to say; but never once in all these twenty years has one of my enemies ventured to bring me into a court of law, and to submit the issue between us to a jury of American citizens.
Upton Sinclair
Why can't a writer use writing as a painter uses paint? I try to. When I wrote The Tree of Man I felt I couldn't write about simple, illiterate people in a perfectly literate way; but in my present novel the language is more sophisticated. I think perhaps I have clarified my style quite a lot over the years. I find it a great help to hear the language going on around me; not that what I write, the narrative, is idiomatic Australian, but the whole work has a balance and rhythm which is influenced by what is going on around you. When you first write the narrative it might be unconscious, but when you come to work it over you do it more consciously. It gives what I am writing a greater feeling of reality.
Patrick (Australian novelist) White
The Court's justification for consulting its own notions rather than following the original meaning of the Constitution, as I would, apparently is based on the belief of the majority of the Court that for this Court to be bound by the original meaning of the Constitution is an intolerable and debilitating evil; that our Constitution should not be 'shackled to the political theory of a particular era,' and that to save the country from the original Constitution the Court must have constant power to renew it and keep it abreast of this Court's more enlightened theories of what is best for our society. It seems to me that this is an attack not only on the great value of our Constitution itself but also on the concept of a written constitution which is to survive through the years as originally written unless changed through the amendment process which the Framers wisely provided.
Hugo Black
Any number of definitions help to determine who we are. It doesn't hurt to be a woman writer, an American woman writer, American woman writer of the 21st century. I think all these descriptions of us — and they're descriptions and adjectives that pertain to you — none of them diminish you, really. I think that maybe there's a kind of deepening or expansion the more identifications you have.
Joyce Carol Oates
Sei Shonagon
Seigenthaler, John
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