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Those who present directly and immediately the new forms and symbols are the artists — the dramatists, the musicians, the painters, the dancers, the poets, and those poets of the religious sphere we call saints. They portray the new symbols in the form of images — poetic, aural, plastic, or dramatic, as the case may be. They live out their imaginations.
--
Ch. 1 : The Courage to Create, p. 22

 

Rollo May

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Whenever I become discouraged (which is on alternate Tuesdays, between three and four) I lift my spirits by remembering: The artists are on our side! I mean those poets and painters, singers and musicians, novelists and playwrights who speak to the world in a way that is impervious to assault because they wage the battle for justice in a sphere which is unreachable by the dullness of ordinary political discourse.

 

Howard Zinn

 

Is this really true? If we take an average day in the life of the average man we seem to see very little evidence of concern with the sciences and the arts. The average man gets up, goes to work, eats his meals, reads the newspapers, watches television, goes to the cinema, goes to bed, sleeps, wakes up, starts all over again. Unless we happen to be professional scientists, laboratory experiments and formulae have ceased to have any meaning for most of us; unless we happen to be poets or painters or musicians—or teachers of literature, painting, and music—the arts seem to us to be only the concern of schoolchildren. And yet people have said, and people still say, that the great glories of our civilisation are the scientists and artists. Ancient Greece is remembered because of mathematicians like Euclid and Pythagoras, because of poets like Homer and dramatists like Sophocles. In two thousand years all our generals and politicians may be forgotten, but Einstein and Madame Curie and Bernard Shaw and Stravinsky will keep the memory of our age alive.

 

Anthony Burgess

 

Both Hopkins and Lawrence were religious not just in the ritualistic sense but in the sense of being obsessed with the word — the word made life and truth — with the need to invent a language as direct as religious utterance. Both were poets, but outside the literary fashions of their time. Both felt that among the poets of their time was an absorption in literary manners, fashions and techniques which separated the line of the writing from that of religious truth. Both felt that the modern situation imposed on them the necessity to express truth by means of a different kind of poetic writing from that used in past or present. Both found themselves driven into writing in a way which their contemporaries did not understand or respond to yet was inevitable to each in his pursuit of truth. Here of course there is a difference between Hopkins and Lawrence, because Hopkins in his art was perhaps over-worried, over-conscientious, whereas Lawrence was an instinctive poet who, in his concern for truth, understood little of the problems of poetic form, although he held strong views about them.

 

Stephen Spender

 

Yet, if such a being, who reversed the maxim nihil humani me alienum puto [nothing human is foreign to me], cannot be loved, as little can he be abhorred or despised. He was, in spite of the atrophy or non development of many of the faculties which are found in those in whom the "elements are kindly mixed," as truly a genius as the mere poets, painters, and musicians, with small intellects and hearts and large imaginations, to whom the world is so willing to bend the knee. He is more to be wondered at than blamed.

 

Henry Cavendish

 

I know of no one writing about politics today whose work is more inspirational. A brilliant intellectual, playwright and essayist, he believes with passion that essayists, poets, dramatists, artists, musicians, and philosophers carry responsibility for the well-being of the societies in which they live. In describing the role of politics in the world today, he exhibits a keen grasp of prevailing global dynamics. He knows from conviction and experience why a politics that is not attached to an anchored spirituality carries no lasting promise. When addressing religion, he affirms what believers wish to avow without falling into debilitating dogmatic or parochial traps. In assessing the present conditions of the world, he warns against utilitarian, pragmatic techno-culture. He respects the innate human aspiration to become rooted in that which most profoundly binds us to the core of being.

 

Vaclav Havel