Andre Maurois quotes

... Hence, Paul Morand's generalization to the effect that French writers are never younger, never more free from constraint, than when they have passed their sixtieth birthday. By that time they have broken free from the romantic agonies of youth and turned their backs on that pursuit of honors which, in a country where literature plays a social role, absorbs too much of their energies during the years of maturity.

"There is not one who speaks of us in our presence as he does in our absence," wrote Pascal. "All affection is based on this mutual deception, and few friendships would survive if we knew what our friends were saying of us behind our backs."

A man who works under orders with other men must be without vanity. If he has too strong a will of his own and if his ideas are in conflict with those of his chief, the execution of orders will always be uncertain because of his efforts to interpret them in his own way. Faith in the chief must keep the gang together. Obviously deference must not turn into servility. A chief of staff or a departmental head should be able, if it seems to him (rightly or wrongly) that his superior is making a serious mistake, to tell him so courageously. But this sort of collaboration is really effective only if such frankness has true admiration and devotion behind it. If the lieutenant does not admit that his chief is more experienced and has better judgment than he himself, he will serve him badly. Criticism of the chief by a subordinate must be accidental and not habitual. What must an assistant do if he is sure he is right and if his chief refuses to accept his criticisms? He must obey the order after offering his objections. No collective work is possible without discipline. If the matter is so serious that it can have a permanent effect upon the future of a country, an army, or a commercial enterprise, the critic may hand in his resignation. But this must be done only as a last resort; as long as a man thinks he can be useful he must remain at his post.

Whoever wants to be a hero ought to drink brandy.

Balzac has often provided us with the tragic spectacle of an old man in love. Obliged now to obtain with gifts and favors what his personal charm won for him in his earlier days, the aged lover will ruin himself for every young woman clever enough to waken a crazy hope in his breast. Chateaubriand, who knew only too well what such suffering was like, left a terrible manuscript entitle Amour et Vieillesse; it is the long and grievous lament of a lover who does not know hot to grow old. "Those who have loved women a great deal will always love them; that is their punishment." And women who have loved many men are punished by hearing the younger among them say with genuine surprise: "I'm told she was once very beautiful."

What men call friendship is only social intercourse, an exchange of favours and good offices; it comes down to a commercial dealing in which self-esteem always expects to profit.

Old age diminishes our strength; it takes away our pleasures one after the other; it withers the soul as well as the body; it renders adventure and friendship difficult; and finally it is shadowed by thoughts of death.

Nothing is so discouraging to subordinates as a chief who hesitates. "Firmness," said Napoleon, "prevails in all things."

It is not events and the things one sees and enjoys that produce happiness, but a state of mind which can endow events with its own quality, and we must hope for the duration of this state rather than the recurrence of pleasurable events. Is this state actually an interior one, and can we recognize it otherwise than the by the changes it produces in all exterior things? If we exclude sensation and memory from our thoughts, there is nothing left but a wordless emptiness. Where can pure ecstasy and pure happiness be found? As certain phosphorescent fish see the deep water, the seaweed, and the other creatures of the sea light up at their approach but never perceive the movable source of this illumination because it is in themselves, so the happy man, though he is aware of his effect upon others, has difficulty in perceiving his happiness and even greater difficulty in predicting it.

"Thinking is easy," said Goethe, "acting is difficult, and to put one's thought into action is the most difficult thing in the world." And Tolstoy: "It is easier to produce ten volumes of philosophical writing than to put one principle into practice."

Everything that tends to make it difficult to distinguish youth from age is an act of civilization. The best-mannered age in history invented the wig - a homage rendered by hair to baldness. The effect of powder and rouge is to make young women like their grandmothers, and invalids like healthy people. Clever dressmaking establishments and beauty shops create fashions which make it possible for elderly women to keep hoping. After a certain age, the art of dressing consists of hiding one's shortcomings, and this is another form of politeness. The veil is a marvelous invention for confusing the image and giving its wearers the semblance of beauty. All adornments are veils: they conceal the ravages of time as well as may be.

There is little to be said of seniority. It is evident that when men grow older they acquire experience, unless they are completely idle, stupid, or too obstinate to learn anything. But there are many types of old men, and no one has ever maintained that, in order to pick out the best of the, it is enough to look at their birth certificates. Therefore appointments have to be made.

Everything that is in agreement with our personal desires seems true; everything that is not puts us in a rage.

Our poor bodies have strength and resources that we learn to know only when we are in the gravest situations.

Not all men and women can devote themselves to those whom they respect. Some are jealous of superiority and are far more interested in revealing the faults than in imitating the virtues of a noble character. Others fear the option of a mind that is too lucid and prefer to be friends with someone less exacting.

We are always repeating ancestral signs which are quite useless now. When a great actress wants to express hate she draws back her charming lips and shows her canine teeth, an unconscious sign of cannibalism. We shake hands with a friend to prevent him using it to strike us, and we take off our hats because our ancestors used to humbly offer their heads, to the bigwigs of those days, to be cut off.

Genius consists of equal parts of natural aptitude and hard work.

It is wrongly held by many that to be happy one must have the admiration and respect of a great many people; but the esteem of one's own circle is essential. Stéphane Mallarmé, deeply beloved by a few disciples, was far happier than a celebrated man who knows that his reputation is questioned by those whom he admires. The monastery had brought peace to innumerable souls through its singleness of thought and purpose.

The truth is that, from the immense spectacle of the world, each novelists retains the one adventure which enable shim to give expression to his own essential self, just as the painter sees in nature only pictures painted in his manner.

There is no absurdity or contradiction to which passion may not lead a man. When love or hate takes control, reason must submit and then discover justifications for their folly.