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Robinson Jeffers

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I think, here is your emblem
To hang in the future sky;
Not the cross, not the hive,
But this; bright power, dark peace;
Fierce consciousness joined with final
Disinterestedness;
Life with calm death; the falcon’s
Realist eyes and act
Married to the massive
Mysticism of stone,
Which failure cannot cast down
Nor success make proud.
--
"Rock and Hawk" in Solstice and Other Poems (1935)

 
Robinson Jeffers

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Death is utterly acceptable to consciousness and life. There has been endless time of numberless deaths, but neither consciousness nor life has ceased to arise. The felt quality and cycle to death has not modified the fragility of flowers, even the flowers within the human body. Therefore, one's understanding of consciousness and life must be turned to that utter, inclusive quality, that clarity and wisdom, that power and untouchable gracefulness this evidence suggests. We must cease to live in our superficial and divided way, seeking and demanding only consciousness and life in the present form we grasp, avoiding and resisting what appears to be the end of consciousness and life in death.

 
Adi Da
 

No true work since the world began was ever wasted; no true life since the world began has ever failed. Oh, understand those two perverted words "failure" and "success." and measure them by the eternal, not by the earthly standard. When after thirty obscure, toilsome, unrecorded years in the shop of the village carpenter, one came forth to be preeminently the man of sorrows, to wander from city to city in homeless labors, and to expire in lonely agony upon the shameful cross — was that a failure? Nay, my brethren.it was the death of Him who lived that we might follow His footsteps, it was the life, it was the death of the Son of God.

 
Frederic William Farrar
 

Nothing troubled the charm and silence of this solitude. Making the most serious reflections on what we behold, and on our present position, I said to myself: Thus does life also pass away, now calm, now agitated, but at last the end is attained. Happy, ah, thrice happy they who can then look out to the never-ending future with calm and confidence, who can cast themselves on the bosom of God, the Center of our felicity.

 
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In regard to absurdism, Samuel Beckett is sometimes considered to be the epitome of the postmodern artist ... In fact, he is the aesthetic reductio ad absurdum of absurdism: no longer whistling in the dark, after waiting for Godot, he is trying to be radically silent, wordless in the dark. Beckett tries to bespeak a failure of the logos that never quite succeeds in being a failure, for to speak the failure would be a kind of success. Hence the essentially comic (hence unavoidably and ultimately affirmative) nature of his work.

 
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The China Incident [of 1937 onwards] has resulted in massive loss of life through the mutual killing of neighboring friends. This is the greatest tragedy of the last one thousand years. Nevertheless this is a holy war to save the peoples of East Asia.... Invoking the power of Avalokitesvara, I pray for the bright future of East Asia.

 
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