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Rem Koolhaas

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The city is no longer. We can leave the theatre now.
--
From "Generic City", published in S,M,L,XL, New York: The Monacelli Press, 1995

 
Rem Koolhaas

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I would quite like to try my hand at directing although I would do it in the theatre rather than in TV or film. Theatre is more just about telling the story. I understand the way the theatre works. I will leave the TV to the experts. Doctor Who is very complicated to direct. It would be impossible to direct that and act in it as well.

 
David Tennant
 

I like the liveness of it (theatre, fh) – that awful feeling of being on the spot. I must assume the responsibility for that moment, for those actions that happen at that particular time. I don’t find theatre that different from painting, and it’s not that I think of painting as theatre or vice versa. I tend to think of working as a kind of involvement with materials, as well as rather focused interest which changes.

 
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The utter childishness of our provincial public's verdict upon any art-manifestation that may chance to make its first appearance in their own theatre — for they are only accustomed to witness performances of works already judged and accredited by the greater world outside — brought me to the decision, at no price to produce for the first time a largish work at a minor theatre. When, therefore, I felt again the instinctive need of undertaking a major work, I renounced all idea of obtaining a speedy representation of it in my immediate neighbourhood: I fixed my mind upon some theatre of first rank, that would some day produce it, and troubled myself but little as to where and when that theatre would be found.

 
Richard Wagner
 

I believe in neither a director’s nor a writer’s theatre, but a theatre of intelligent audiences. I count myself as a member of an intelligent audience, and I wrote to you as such. That you should disagree with me I can understand, but that you should resent my expressing my opinions is something that frankly amazes me. I thought we had outgrown the idea of theatre as a mystic rite born of secret communion between author, director, actors and an empty auditorium.

 
Kenneth Tynan
 

Shaw said that three years as a theatre critic was the maximum before insanity set in - the implication being that anyone who lasted longer than that was too dull to be unbalanced by his nightly ordeal.

 
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