Most artists go potty as they get older: dafter and madder as they get more celibate. So I am consciously going to do that.
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Charlotte Higgins, "It was 37 years ago today – and Sgt Pepper cover has still failed to pay", The Guardian, 2004-06-03Peter Blake
One often says to oneself … that one ought to avoid having too many different businesses, to avoid becoming a jack-of-all-trades, and that the older one gets, the more one ought to avoid entering into new business. But … the very fact of growing older means taking up a new business; all our circumstances change, and we must either stop doing anything at all or else willing and consciously take on the new role we have to play on life’s stage.
Johann Wolfgang von Goethe
It is generally admitted that the most beautiful qualities of a color are in its transparent state, applied over a white ground with the light shining through the color. A modern Kodachrome is a delight when held up to the light with color luminous like stained glass. So many ask what is meant by transparent color, as though it were some special make. Most all color an artist uses is transparent: only a few are opaque, such as vermillion, cerulean blue, emerald green, the ochres and most yellows, etc. Colors are applied just as they come from the tube, the original purity and quality is never lost: a purple is pure rose madder glowing through a glaze of pure blue over glaze, or vice versa, the quality of each is never vitiated by mixing them together. Mix a rose madder with white, let us say, and you get a pink, quite different from the original madder, and the result is a surface color instead of a transparent one, a color you look on instead of into. One does not paint long out of doors before it becomes apparent that a green tree has a lot of red in it. You may not see the red because your eye is blinded by the strong green, but it is there never the less. So if you mix a red with the green you get a sort of mud, each color killing the other. But by the other method. when the green is dry and a rose madder glazed over it you are apt to get what is wanted, and have a richness and glow of one color shining through the other, not to be had by mixing. Imagine a Rembrandt if his magic browns were mixed together instead of glazed. The result would be a kind of chocolate. Then too, by this method of keeping colors by themselves some can be used which are taboo in mixtures.
Maxfield Parrish
He is older than the seas,
Older than the plains and hills,
And older than the light that spills
From the sun's hot wheel on these.
He wakes the gale that tears your trees,
He sings to you from window sills.Robert Graves
Art in Britain is in a very healthy state. The artists of my generation and older are at their best — people like Howard Hodgkin and Frank Auerbach. The YBAs are still very strong, and it's exciting to wonder what the next generation will bring.
Peter Blake
I was madder then a mosquito in a mannequin factory.
Larry the Cable Guy
Blake, Peter
Blake, William
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