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When asked to play a 12-bar blues, Ornette Coleman fingered his plastic saxophone and played nothing...he's felt more nothing than you or I know.
--
Richard Farina

 

Ornette Coleman

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They say that no one's gonna play this on the radio
They said the melancholy blues were dead and gone
But only songs like these
Played in minor keys
Keep those memories holding on.

 

Billy Joel

 

I was recording with The Polyphonic Spree, recording The Fragile Army, and we were holed up in January in Minnesota at our studio. They called Mike in to play, and we just hit it off, in a really, really special way. Actually, the night after meeting and having a conversation with him, I sat down and I wrote "All My Stars Aligned". And I just kind of had an idea, "Wouldn't it be amazing if Mike Garson played? So the guy who played solo in Aladdin Sane, wouldn't it be amazing if this guy played this song?"
And I wrote it, based on a conversation we had, but I didn't want to ask him, because I felt shy, and nervous, and everything. It was a few months later, actually, we kind of got in touch, and, 'Oh, what are you doing?', and I sent him a couple songs that I was working on. I sent him "Your Lips Are Red" and I sent him "All My Stars Aligned", just to show, you know, 'wink-wink, hint-hint, this is what I'm doing.' And he wrote me back, the things that we'd said, and asked to play on the record. So I was, 'Well, okay, if you insist…'
That worked out pretty miraculously.

 

St. (musician) Vincent

 

I was recording with The Polyphonic Spree, recording The Fragile Army, and we were holed up in January in Minnesota at our studio. They called Mike in to play, and we just hit it off, in a really, really special way. Actually, the night after meeting and having a conversation with him, I sat down and I wrote "All My Stars Aligned". And I just kind of had an idea, "Wouldn't it be amazing if Mike Garson played? So the guy who played solo in Aladdin Sane, wouldn't it be amazing if this guy played this song?"
And I wrote it, based on a conversation we had, but I didn't want to ask him, because I felt shy, and nervous, and everything. It was a few months later, actually, we kind of got in touch, and, 'Oh, what are you doing?', and I sent him a couple songs that I was working on. I sent him "Your Lips Are Red" and I sent him "All My Stars Aligned", just to show, you know, 'wink-wink, hint-hint, this is what I'm doing.' And he wrote me back, the things that we'd said, and asked to play on the record. So I was, 'Well, okay, if you insist…'
That worked out pretty miraculously.

 

Annie Clark

 

Growing up the way we did, (Minutemen lead singer/guitarist) D. Boon and I never heard jazz until we heard punk, and then we thought it was the same thing, because the jazz we were hearing really wasn't Stan Getz, it was the f**kin' John Coltrane, Albert Ayler, Eric Dolphy, Ornette Coleman, it was wild and it made us crazy! We thought it was the same thing, just in an earlier time! For us, not being sophisticated and not knowing the chronologies and coming from Alice Cooper and Blue Oyster Cult, we really didn't understand this. The passion and all of that, we thought it was the same! We didn't see the color lines or whatever in the music, to us it was the same vibe!

 

Mike Watt

 

They left me, by the side of the road, with a plastic bag and all kinds of bitterness Well, in my mind, and I can say this forever I suppose, and people might laugh at it, but I don't think I ever really left The Libertines, nor can I ever leave The Libertines, you know, having been a founder of the band with Carl, but that sounds silly, doesn't it, seeing as they played all the festivals without me and made it difficult, no - impossible, for me to play live with them.

 

Peter Doherty