The Tet Offensive in January of 1968 [...] made the war unpopular. American corporate elites decided at that point that it just wasn't worth it, it was too costly, let's pull out. So at that time everybody became an opponent of the war because the orders from on high were that you were supposed to be opposed to it. And after that every single memoirist radically changed their story about what had happened. They all concocted this story that their hero, John F. Kennedy, was really planning to pull out of this unpopular war before he was killed and then Johnson changed it. If you look at the earlier memoirs, not a hint, I mean literally.
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Interview by David Cogswell, September 14, 1993 (see also: Rethinking Camelot, Boston Review)Noam Chomsky
Even if [9/11 conspiracy theories] were true, which is extremely unlikely, who cares? It doesn't have any significance. It's a little bit like the huge energy that's put out on trying to figure out who killed John F. Kennedy. Who knows? And who cares? Plenty of people get killed all the time, why does it matter that one of them happened to be John F. Kennedy? If there was some reason to believe that there was a high level conspiracy, it might be interesting. But the evidence against that is just overwhelming. And after that, if it happened to be a jealous husband, or the mafia, or someone else, what difference does it make? It's just taking energy away from serious issues onto ones that don't matter. And I think the same is true here; it's my personal opinion.
Noam Chomsky
At the time, I was working for The Times. My story ran in full. Then an official of the Foreign Office lunched my editor and told him my report was "not helpful". Because, of course, we supported President Saddam at the time and wanted revolutionary Iran to suffer and destroy itself. President Saddam was the good guy then. I wasn't supposed to report his human rights abuses. And now I'm not supposed to report the slaughter of the innocent by American or RAF pilots because the British Government has changed sides. The ministry of mendacity strikes again, April 4, 2003
Robert Fisk
Technology adds nothing to art. Two thousand years ago, I could tell you a story, and at any point during the story I could stop, and ask, Now do you want the hero to be kidnapped, or not? But that would, of course, have ruined the story. Part of the experience of being entertained is sitting back and plugging into someone else's vision.
Penn Jillette
“All right lad this is what we want with you. Your mission is this: to go out into the world and pull down all those election posters. Let’s get all those ugly faces off our streets and out of our elective offices. We are not going to vote any more, no matter how often they come around with their sound trucks and statesmanlike gestures. Pull down the sound trucks. Pull down the outstretched arms. To hell with the whole business. Voting has turned out to be a damned impertinence. They never do what we want them to do anyhow. And when they do what we want them to do, they don’t do it well. To hell with them. We are going to save up all our votes for the next twenty years and spend them all at one time. Maybe by that day there will be some Rabelaisian figure worth spending them on. ...”
Donald Barthelme
Out of this folk mind, turned into stories and crowded with thousands of years of life, grew, literally, the Chinese novel. For these novels changed as they grew. If, as I have said, there are no single names attached beyond question to the great novels of China, it is because no one hand wrote them. From beginning as a mere tale, a story grew through succeeding versions, into a structure built by many hands.
Pearl Buck
Chomsky, Noam
Chopin, Frederic
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