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Martha Graham

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People have asked me why I chose to be a dancer. I did not choose: I was chosen to be a dancer, and, with that, you live all your life.

 
Martha Graham

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At its most basic, Mr. Astaire's technique has three elements - tap, ballet and ballroom dancing. The ballet training, by his account, was brief but came at a crucial, early age. He has sometimes been classed as a tap dancer, but he was never the hoofer he has jokingly called himself. Much of the choreographic outline of his dancing with his ladies—be it Miss Rogers or Miss Hayworth—is ballroom. But of course, no ballroom dancer could dance like this.

 
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He's a genius...a classical dancer like I never saw in my life.

 
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The clumsiness of people who have to engage their brain at every step is unbearably painful to watch, at least to me, and that's what the novice-friendly software makes people do, because there's no elegance in them, it's just a mass of features to be learned by rote. However, this suits people a hell of a lot better than setting out at age 6 to become a great ballet dancer and achieving their goal 20 years later after every tendon and muscle and joint has been asked to perform just a little bit more than nature ever intended over and over and over again. To most people, this is insanity. But in reality, it's art, and it's the art in what we do that makes us human.

 
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