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Marsden Hartley

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My work embodies little visions of the great intangible.. ..Some will say he’s gone mad – others will look and say he’s looked in at the lattices of Heaven and come back with the madness of splendor on him.
--
letter to Seumus O’Sheel, October 10, 1908, Hartley Archive, Archives of American Art, as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 25

 
Marsden Hartley

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Dying visions of angels and Christ and God and heaven are confined to credibly good men. Why do not bad men have such visions? They die of all sorts of diseases; they have nervous temperaments; they even have creeds and hopes about the future which they cling to with very great tenacity; why do not they rejoice in some such glorious illusions when they go out of the world?

 
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I have not seen Thee, yet I tell Thy praise,
Nor known Thee, yet I image forth Thy ways.
For by Thy seers' and servants' mystic speech
Thou didst Thy sov'ran splendour darkly teach,
And from the grandeur of Thy work they drew
The measure of Thy inner greatness, too.
They told of Thee, but not as Thou must be,
Since from Thy work they tried to body Thee.
To countless visions did their pictures run,
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There are magic moments, involving great physical fatigue and intense motor excitement, that produce visions of people known in the past. As I learned later from the delightful little book of the Abbé de Bucquoy, there are also visions of books as yet unwritten.

 
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And the conversion of the other Don Quixote — he who was converted only to die — was possible because he was mad, and it was his madness, and not his death or his conversion that immortalized him, earning him forgiveness for this crime of having been born. Felix culpa! And neither was his madness cured, but only transformed. His death was his last knightly adventure; in dying he stormed heaven, which suffereth violence.

 
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